Lithograph on various papers, including Strathmore Artist and Basingwerk Parchment
<span class="gray">Sheet:</span> 14 7/16 x 11 1/2 in. (36.7 x 29.2 cm) (variable)<div class="div_addlDim"><span class="gray">Image:</span> 11 1/8 x 8 3/4 in. (28.2 x 22.3 cm)</div>
Impressions are inconsistently signed, dated, and titled in pencil, bottom margin: one is signed [Lichtenstein]; one is titled [Mother and Child] and signed [rf Lichtenstein]; one is signed [rf Lichtenstein] and dated [1948]; one is signed with a stylized signature and dated (see detail image); some are uninscribed.
Classification: print

Print

The print and poster entries in this online catalogue follow the documentation and comments published in the authoritative book:

Mary Lee Corlett. The Prints of Roy Lichtenstein: A Catalogue Raisonné, 1948–1993, 2nd ed. New York: Hudson Hills Press in association with the National Gallery of Art, Washington, D.C., 2002 (Corlett 2002). First published in 1994 (Corlett 1994). Introduction by Ruth E. Fine (Fine 1994a).

Corlett documented 311 editioned prints and posters by Lichtenstein produced from 1948 through 1997, with three works published in 1998 after the artist’s death: RLCR 4622, 4755, and 4752. Along with them, Corlett documented select posters, announcements, and other printed works in unspecified editions (totaling 76 items); these were either designed by the artist or based on the artist’s designs, or reproductions approved in collaboration with the artist. Prints not documented by Corlett (RLCR 999, 1178, 3625, 3664, 4685, 357, 4195, and 3884) were added to this digital catalogue raisonné. Reproductions are no longer included, only references to them per Corlett or in added commentaries.

The individual online entries’ style and structure closely follow Corlett 2002 and differ slightly from all other entries except for small style changes made for consistency.

All prints or poster impressions formerly or currently in the artist’s estate were re-photographed by the Roy Lichtenstein Foundation for this online publication to provide the best image quality. Impressions or objects in other collections are reproduced with the best available imagery at the time of publication. Some entries are still illustrated with the images Corlett's book provided, mostly photographs of impressions in the collection of the National Gallery of Art, Washington, D.C. Illustrations of woodblocks and other print matrices, as well as print variants, such as different states (RLCR 217, St. George and the Dragon (I) [Killing the Dragon]), ink color variants (RLCR 289, Hunter with Dog), paper color variants (RLCR 269, Approaching the Castle) and teaching aides (RLCR 2871, American Indian Theme I), have been added as Research Images when mentioned in the entry and/or when discovered and available....

Read more: Corlett Catalogue of the Prints of Roy Lichtenstein
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Catalogue entry

Artwork: Mother and Child, 1948 (RLCR 109)
RLCR 109 (Corlett 1; RL 3501)
Mother and Child
1948
Title Source
Corlett; RL Studio Card; RL Studio Photograph
Media
Lithograph on various papers, including Strathmore Artist and Basingwerk Parchment
Dimensions
Sheet: 14 7/16 x 11 1/2 in. (36.7 x 29.2 cm) (variable)
Image: 11 1/8 x 8 3/4 in. (28.2 x 22.3 cm)
Description
Edition: unknown

Publisher: the artist

Printer: the artist

Runs: black (stone)
Inscriptions
Impressions are inconsistently signed, dated, and titled in pencil, bottom margin: one is signed [Lichtenstein]; one is titled [Mother and Child] and signed [rf Lichtenstein]; one is signed [rf Lichtenstein] and dated [1948]; one is signed with a stylized signature and dated (see detail image); some are uninscribed.
Remarks

Papers used vary in size, color, and texture. To date, only a few impressions are known. One impression has been found with smaller sheet and image dimensions, probably owing to the shrinkage of the sheet sometime after printing. This impression measures sheet: 13 1/2 x 11 7/8 (34.3 x 30.2); image: 10 5/8 x 8 3/4 (27 x 22.2).

The stylized signature is found on other work from the period, including a gouache entitled RLCR 122, The Racing Car (repr. Busche 1988, p. 40). The artist has said that he briefly used these cipher marks to match the symmetry of the image (in conversation with Corlett, January 6, 1994).

Research Images
Mother and Child, 1948 (RLCR 109). Detail of impression with stylized signature and date
Detail of impression with stylized signature and date
Exhibitions
Odakyu Museum, Tokyo, The Prints of Roy Lichtenstein: Cosmos of His Art, March 25–April 12, 1998 (Artis 1998, no. 1 p. 34 b/w ill.). Traveled to: Kawamura Memorial Museum of Art, Sakura, Japan, April 18–May 24, 1998; Kasama Nichido Museum of Art, Kasama, Japan, May 29–June 28, 1998; Shiga Prefectural Museum of Modern Art, Ohtsu, Japan, July 4–August 16, 1998; Daimaru Museum, Kobe, Japan, August 20–September 1, 1998; Takamatsu City Museum of Art, Takamatsu, Japan, September 18–October 25, 1998.
Museo delle Cultre, Milan, Roy Lichtenstein. Multiple Visions, May 1–September 8, 2019 (only Mons) (Mercurio 2019a). Traveled to: Musée des Beaux-Arts, Mons, Belgium, December 5, 2020–April 18, 2021 (as Roy Lichtenstein: Visions Multiples) (Mercurio 2020a, p. 62 color ill.).

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