Cut painted paper, cut printed paper, acrylic, graphite pencil on board
50 x 22 1/2 in. (127 x 55.9 cm)
Inscribed, signed and dated lower right: "Salute to Painting" / ("Salute to Martin") / rf Lichtenstein / Valentine's Day / 1986
Classification: collage

Collage

In this catalogue, collage is defined as a work made of paper attachments on board or paper. Most of Lichtenstein's collages are preparatory works for sculptures, prints and paintings.

The sub-group collage (on print) describes works with cut paper attachments on pre-printed supports, such as print proofs or postcards.

Titles

Collages that lead to a known final work carry the title of that work followed by "(Study)," e.g., RLCR 2739, Mermaid (Study).

Titles of collages with no known related final works were assigned following the methodology described in 6. TITLES.

Dates

Collages not dated by the artist have usually been assigned the date noted on the related RL Studio Cards, unless research suggests a different date or date range. The artist wrote specific dates on the recto of a small group of collages, e.g., RLCR 2963, Surrealist Head (Study). These dates are likely the dates when a collage was handed over to a maquette builder.

Media Lines

All visible media on the artwork recto is described. Excluded are methods of attachment (e.g., liquid adhesive, pressure-sensitive adhesive film).

Many collages are marked up by the artist with diagrams, arrows and annotations providing directions for the builder of the related sculpture. These are not transcribed since they can be viewed in the Primary Image or Research Images.

See also: 11. INSCRIPTIONS

Collage media is described in a pre-determined order based roughly on order of predominance in most collages.

Media is followed by support, usually "on board" or "on paper." Most collages are on white museum board. Where multiple adjacent supports were used, the number of boards or sheets is provided with an indication as to whether they are joined. Secondary supports are only included when considered to be original.

Collage elements sometimes overlap and may be adhered to each other rather than just the support. In this catalogue, we simply write "on board" (or other support), instead of describing the nexus of attachments.

See also: 9. MEDIA AND SUPPORT

Collage elements differ in type and are described as such:

Cut painted paper stands for any solid-colored painted paper prepared in Lichtenstein's studio, whether matte (e.g., shades like Ultra Blue, Cadmium Red Medium) or metallic (e.g., shades like silver, graphite).

Cut painted paper with sand refers to collage elements for which sand was mixed with the acrylic for textural effect.

Cut stencil-painted paper refers to patterned paper to which dots and diagonals were applied via paint through stencil. According to the artist's studio assistants, cut stencil-painted paper was made with oil paint. We made every effort to distinguish between stencil-painted and printed dots.

Cut printed paper includes solid-colored paper and paper with dots, diagonals and wood grain, etc., typically screenprinted.

Cut printed and painted paper stands for collage elements with both printed and painted parts.

It is indicated if collage elements are not cut but torn.

Dimensions

Entries usually include both board (or sheet) and image dimensions. If a work was overmatted and could not be unframed for examination, the image dimensions are given. RLF Archives material and other sources were consulted for measurements the catalogue team was unable to take in person. Sources are cited in Remarks.

See also: 10. DIMENSIONS

Read more: Guide to the Catalogue
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Catalogue entry

Artwork: Salute to Painting (Study), 1984 (RLCR 3365)
RLCR 3365 (LC D-400; RL 2575)
Salute to Painting (Study)
1984
Title Source
RLF
Alternate titles and sources: Salute for Painting (Collage) (RL Studio Photograph); Salute to Painting – Collage for Sculpture (RL Studio Card)
Media
Cut painted paper, cut printed paper, acrylic, graphite pencil on board
Dimensions
50 x 22 1/2 in. (127 x 55.9 cm)
Inscriptions
Inscribed, signed and dated lower right: "Salute to Painting" / ("Salute to Martin") / rf Lichtenstein / Valentine's Day / 1986
Remarks

The artist signed and dated this collage at the time of dedication in 1986, not in 1984, the time of completion.

Dedication to Martin Friedman on backing board verso, signed by the Walker Art Center's board of directors and spouses, "6-15-86 / To Martin; with love — John + Sage / Harriet and Ed / Margaret and Angus / Miriam + Erwin / Penn + Mike / Joanne + Phil / Tom + Ellie / Ken + Judy / John + Beverley." 

Studio
105 East 29th Street, New York
Research Images
Salute to Painting (Study), 1984 (RLCR 3365). Detail of inscriptions on backing board
Detail of inscriptions on backing board
Related Works
Artwork: Interior with Nude Leaving (Study), c. 1996 (RLCR 4527)
possibly originating in sketchbook (blank/used)
Interior with Nude Leaving (Study)
c. 1996
RLCR 4527
Artwork: Interior with Box of Yellow Apples (Study), c. 1996 (RLCR 4526)
possibly originating in sketchbook (blank/used)
Interior with Box of Yellow Apples (Study)
c. 1996
RLCR 4526
Artwork: Interior with Woman Leaving (Study), 1997 (RLCR 4728)
possibly originating in sketchbook (blank/used)
Interior with Woman Leaving (Study)
1997
RLCR 4728
Artwork: Interior with Painting and Still Life (Study), 1997 (RLCR 4708)
possibly originating in sketchbook (blank/used)
Interior with Painting and Still Life (Study)
1997
RLCR 4708
Artwork: Interior with Diana (Study), 1997 (RLCR 4697)
possibly originating in sketchbook (blank/used)
Interior with Diana (Study)
1997
RLCR 4697
Artwork: Interior with Ajax (Study), 1997 (RLCR 4686)
possibly originating in sketchbook (blank/used)
Interior with Ajax (Study)
1997
RLCR 4686
Artwork: Interior with Painting of Trees (Study), 1997 (RLCR 4720)
possibly originating in sketchbook (blank/used)
Interior with Painting of Trees (Study)
1997
RLCR 4720
Artwork: Interior with Painting of House (Study), 1997 (RLCR 4715)
possibly originating in sketchbook (blank/used)
Interior with Painting of House (Study)
1997
RLCR 4715
Artwork: House with Cloud, 1997 (RLCR 4678)
possibly originating in sketchbook (blank/used)
House with Cloud
1997
RLCR 4678
Artwork: House with Gray Roof (Study), 1997 (RLCR 4679)
possibly originating in sketchbook (blank/used)
House with Gray Roof (Study)
1997
RLCR 4679
Artwork: Housing Development, 1997 (RLCR 4680)
possibly originating in sketchbook (blank/used)
Housing Development
1997
RLCR 4680
Artwork: Building (Study), 1997 (RLCR 4662)
possibly originating in sketchbook (blank/used)
Building (Study)
1997
RLCR 4662
Current Record
Artwork: Interior with Woman (Study), 1997 (RLCR 4725)
possibly originating in sketchbook (blank/used)
Interior with Woman (Study)
1997
RLCR 4725
Artwork: Interior with Painting of Bather (Study), 1997 (RLCR 4711)
possibly originating in sketchbook (blank/used)
Interior with Painting of Bather (Study)
1997
RLCR 4711
Artwork: Cigar Box (Study), 1997 (RLCR 4665)
possibly originating in sketchbook (blank/used)
Cigar Box (Study)
1997
RLCR 4665
Artwork: House II (Studies), 1997 (RLCR 4671)
possibly originating in sketchbook (blank/used)
House II (Studies)
1997
RLCR 4671
Artwork: Virtual Interior (Study), 1997 (RLCR 4744)
possibly originating in sketchbook (blank/used)
Virtual Interior (Study)
1997
RLCR 4744
Artwork: Interior with Female Bust (Study), 1997 (RLCR 4700)
possibly originating in sketchbook (blank/used)
Interior with Female Bust (Study)
1997
RLCR 4700
Artwork: Table with Two Vases of Flowers (Study), 1997 (RLCR 4742)
possibly originating in sketchbook (blank/used)
Table with Two Vases of Flowers (Study)
1997
RLCR 4742
Artwork: Interior with Painting of Nude (Study), 1997 (RLCR 4717)
possibly originating in sketchbook (blank/used)
Interior with Painting of Nude (Study)
1997
RLCR 4717
Artwork: Interior with Glass Pitcher (Study), 1997 (RLCR 4703)
possibly originating in sketchbook (blank/used)
Interior with Glass Pitcher (Study)
1997
RLCR 4703
Artwork: Interior with Sailboat out the Window (Study), 1997 (RLCR 4723)
possibly originating in sketchbook (blank/used)
Interior with Sailboat out the Window (Study)
1997
RLCR 4723
Artwork: Interior with House out the Window (Study), 1997 (RLCR 4704)
possibly originating in sketchbook (blank/used)
Interior with House out the Window (Study)
1997
RLCR 4704
Artwork: Interior with Tables and Chair (Study), 1997 (RLCR 4724)
possibly originating in sketchbook (blank/used)
Interior with Tables and Chair (Study)
1997
RLCR 4724
Artwork: Interior with Back of Man's Head (Study), 1997 (RLCR 4689)
possibly originating in sketchbook (blank/used)
Interior with Back of Man's Head (Study)
1997
RLCR 4689
Artwork: Still Life with Fruit (Study), 1997 (RLCR 4740)
possibly originating in sketchbook (blank/used)
Still Life with Fruit (Study)
1997
RLCR 4740
Provenance
Walker Art Center Board of Directors, Minneapolis, May 1986 (via Leo Castelli Gallery, New York City)
Martin Friedman, Minneapolis, Minn., June 15, 1986 (by gift)
(Christie's, New York, November 16, 2016, sale 12157, lot 126)
Collection of Carolyn and Preston Butcher, San Francisco (via Jane Richards, New York City)
Exhibitions
Columbus Museum of Art, Columbus, Ohio, Roy Lichtenstein As Sculptor: Recent Works, 1977–1984, February 3–March 17, 1985 (not Columbus) (Robertson, J. 1985a). Traveled to: Gibbes Art Gallery and Spoleto Festival U.S.A, Charleston, S.C., May 24–June 30, 1985 (Robertson, J. 1985b, no. 50 not ill.); Walker Art Center, Minneapolis, Minn., December 21, 1985–March 2, 1986 (Robertson, J. 1985c, no. 50 not ill.); Contemporary Arts Museum, Houston, Tex., September 13–October 26, 1986 (Robertson, J. 1985d, no. 50 not ill.).
Literature
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), no. 148 p. 188 color ill. [not exhibited].
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), no. 148 p. 188 color ill. [not exhibited].

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