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Oil, graphite pencil on canvas (two joined panels), hinged frame
<span class="gray">Overall with frame:</span> 44 1/2 x 53 in. (113 x 134.6 cm)<div class="div_addlDim"><span class="gray">Left panel:</span> 44 x 16 in. (111.8 x 40.6 cm)</div><div class="div_addlDim"><span class="gray">Right panel:</span> 44 x 35 7/8 in. (111.8 x 91.1 cm)</div>
Unknown if signed or dated.

Catalogue entry

Artwork: Eddie Diptych, 1962 (RLCR 687)
RLCR 687 (LC 58; RL 0095)
Eddie Diptych
1962
Title Source
Castelli; RL Register; RL Studio Card
Media
Oil, graphite pencil on canvas (two joined panels), hinged frame
Dimensions
Overall with frame: 44 1/2 x 53 in. (113 x 134.6 cm)
Left panel: 44 x 16 in. (111.8 x 40.6 cm)
Right panel: 44 x 35 7/8 in. (111.8 x 91.1 cm)
Inscriptions
Unknown if signed or dated.
Examination Notes

Verso inaccessible.

Remarks

Dimensions per RL Studio Card.

Keyword
Cartoons
Provenance
Ileana and Michael Sonnabend, Paris, by 1964 (via Leo Castelli Gallery, New York City)
The Estate of Ileana Sonnabend, October 2007
Private collection, April 2008 (via Giraud.Pissarro.Ségalot, New York City)
Exhibitions
1963b Paris Sonnabend
Galerie Ileana Sonnabend (37, quai des Grands-Augustins), Paris, Roy Lichtenstein, June 5–30, 1963 (Jouffroy, Johnson, E. and Rosenblum 1963). Traveled to: Galleria il Punto Arte Moderna, Turin, Italy, December 23, 1963–January 23, 1964 (Sonnabend, M. 1963, no. 3 b/w ill.).
1963 London ICA
Institute of Contemporary Arts, London, The Popular Image, October 24–November 23, 1963 (Solomon, A. 1963b, b/w ill.).
1964 Stockholm Moderna Museet
Moderna Museet, Stockholm, Amerikansk Pop-Konst, February 29–April 12, 1964 (Hultén 1964, p. 47 color ill.). Traveled to: Louisiana Museum of Modern Art, Humlebaek, Denmark, April 17–May 24, 1964 (Louisiana Museum 1964); Stedelijk Museum, Amsterdam, June 22–July 26, 1964 (as De nieuwe amerikaanse kunst/American Pop Art) (Solomon, A. 1964b).
1967 Paris MAD
Musée des Arts Décoratifs, Paris, Bande desinée et figuration narrative, April 7–June 30, 1967 (Couperie et al. 1967, no. 2 p. 228 b/w ill.).
1967 San Marino Biennale
San Marino Biennale, Palazzo dei congressi, San Marino, Nuove tecniche d'immagine in 6. Biennale internazionale d'arte contemporanea della Repubblica di San Marino, July 15–September 30, 1967 (not in cat.) (San Marino Bienniale 1967).
1967 Amsterdam Stedelijk
Stedelijk Museum, Amsterdam, Roy Lichtenstein, November 4–December 17, 1967 (Stedelijk Museum 1967, no. 13 b/w ill. [illustration insert]). Traveled to: Tate Gallery, London, January 6–February 4, 1968 (Tate 1968b, no. 12 n.p. facing p. 18 b/w ill.); Kunsthalle Bern, Bern, Switzerland, February 23–March 31, 1968 (Kunsthalle Bern 1968, no. 11 b/w ill.); (Tate 1968a, no. 9 p. 19 color ill.); Kestner-Gesellschaft, Hannover, Germany, April 13–May 19, 1968 (Kestner-Gesellschaft 1968, no. 11 p. 86 b/w ill.).
1969 Turin Galleria Civica
Galleria Civica d'Arte Moderna, Turin, Italy, New-Dada e Pop Art Newyorkesi, April 2–May 4, 1969 (Malle 1969, no. 49 n.p. b/w ill. [as Eddie Dyptique [sic]]).
1969 London Hayward
Hayward Gallery, London, Pop Art, July 9–September 3, 1969 (Russell, J. and Gablik 1969a); (Russell, J. and Gablik 1969b, no. 83 n.p. b/w ill.).
1969 New York Guggenheim
Solomon R. Guggenheim Museum, New York, Roy Lichtenstein, September 19–November 9, 1969 (Waldman 1969, no. 6 p. 27 b/w ill.). Traveled to: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Mo., December 18, 1969–January 16, 1970; Museum of Contemporary Art, Chicago, Ill., February 7–March 22, 1970; Seattle Art Museum, Seattle, Wash., April 10–May 17, 1970; Columbus Gallery of Fine Arts, Columbus, Ohio, July 9–August 30, 1970.
1973 Rome Borghese
Parcheggio di Villa Borghese, Rome, Contemporanea, November 30, 1973–March 18, 1974 (Incontri internazionali d'Arte, Rome 1973, no. 1 p. 206 b/w ill.).
1980 Venice Palazzo Grassi
Istituto di Cultura di Palazzo Grassi, Venice, Italy, Pop Art: Evoluzione di una generazione, March 22–July 6, 1980 (Codognato 1980, no. 15 p. 69 color ill.).
1982a New York Whitney
Whitney Museum of American Art, New York, Focus on the Figure: Twenty Years, April 15–June 13, 1982 (Haskell 1982, b/w ill.).
1985 Princeton Art Museum
Princeton University Art Museum, Princeton, New Jersey, Selections from the Ileana and Michael Sonnabend Collection: Works from the 1950s and 1960s, February 3–June 11, 1985 (Hunter, S. 1985, no. 25 p. 60 color ill.). Traveled to: Akron Art Museum, Akron, Ohio, June 29–August 18, 1985; Archer M. Huntington Art Gallery, University of Texas at Austin, Austin, Tex., September 8–October 27, 1985; Walker Art Center, Minneapolis, Minn., November 23, 1985–March 9, 1986; Museum of Fine Arts, Boston, Mass., March 29–June 8, 1986.
1986 Los Angeles MOCA
Museum of Contemporary Art, Los Angeles, Individuals: A Selected History of Contemporary Art, 1945–1986, December 10, 1986–January 10, 1988 (Singerman 1986).
1987 Berkeley UC Art Museum
University Art Museum, University of California, Berkeley, California, Made in U.S.A.: An Americanization in Modern Art, the '50s and '60s, April 4–June 21, 1987 (not Richmond) (Stich 1987, no. 157 p. 157 color ill.). Traveled to: Nelson-Atkins Museum of Art, Kansas City, Mo., July 25–September 6, 1987; Virginia Museum of Fine Arts, Richmond, Va., October 7–December 7, 1987.
1987 Madrid Reina Sofía
Museo Nacional Centro de Arte Reina Sofía, Madrid, Colección Sonnabend: 25 años de selección y de actividad, October 30, 1987–February 15, 1988 (Centro de Arte Reina Sofía 1987, p. 123 color ill.). Traveled to: CAPC Musée d’Art Contemporain de Bordeaux, Bordeaux, France, May 6–August 21, 1988 (as Collection Sonnabend: 25 Années de Choix et d'Activités d'Ileana et Michael Sonnabend) (Froment and Borel 1988, p. 139 color ill.); Hamburger Bahnhof, Berlin, December 7, 1988–February 26, 1989 (as Museum der Avantgarde: Die Sammlung Sonnabend, New York) (Joachimides 1988, p. 67 color ill.); Galleria Nazionale d’Arte Moderna, Rome, April 14–October 2, 1989 (as La Collezione Sonnabend: Dalla Pop Art in poi) (Galleria Nazionale d'Arte Moderna 1989, p. 83 color ill, front cover color ill.); Museo d’Arte Moderna e Contemporanea di Trento e Rovereto, Palazzo delle Albere, Trento, Italy, November 4, 1989–January 7, 1990 (Galleria Nazionale d'Arte Moderna 1989, p. 83 color ill, front cover color ill.); Musée Rath, Geneva, January 28–April 16, 1990 (as La Collection d’Ileana et Michael Sonnabend: Une grand collection américaine des années soixante à aujourd’hui) (Galleria Nazionale d'Arte Moderna 1989, p. 83 color ill, front cover color ill.); Sezon Museum of Art, Tokyo, May 15–June 24, 1990 (Sezon Museum of Art 1990, no. 23 p. 46 color ill.); Miyagi Museum of Art, Sendai, Japan, July 3–August 16, 1990 (Sezon Museum of Art 1990, no. 23 p. 46 color ill.); Fukuyama Museum of Art, Hiroshima, Japan, September 22–October 14, 1990 (Sezon Museum of Art 1990, no. 23 p. 46 color ill.); National Museum of Modern Art, Kyoto, Japan, January 5–February 11, 1991 (Sezon Museum of Art 1990, no. 23 p. 46 color ill.).
1991b East Hampton Guild Hall
Guild Hall, East Hampton, New York, A View from the Sixties: Selections from the Leo Castelli Collection and the Michael and Ileana Sonnabend Collection, August 10–September 22, 1991 (Hunter, S. 1991, n.p. facing p. 27 color ill.).
1992 Pully-Lausanne FAE
FAE Musée d'Art Contemporain, Pully-Lausanne, Switzerland, Roy Lichtenstein, September 26, 1992–January 31, 1993 (Michetti-Prod'Hom and Edelman 1992, p. 37 color ill.). Traveled to: Tate Liverpool, Liverpool, United Kingdom, February 17–April 18, 1993 (Tate Liverpool 1993, p. 25 color ill.).
1993 New York Guggenheim
Solomon R. Guggenheim Museum, New York, Roy Lichtenstein: A Retrospective, October 7, 1993–January 16, 1994 (Waldman 1993b, no. 72 n.p. facing p. 79 color ill.). Traveled to: Museum of Contemporary Art, Los Angeles, Calif., January 26–April 3, 1994; Musée des Beaux-Arts de Montréal, Montreal, May 26–September 5, 1994; Haus der Kunst, Munich, October 13, 1994–January 9, 1995 (included early works) (Waldman 1994, no. 72 n.p. facing p. 79 color ill.); Deichtorhallen, Hamburg, Germany, February 8–April 30, 1995 (included early works) (Waldman 1994, no. 72 n.p. facing p. 79 color ill.); Palais des Beaux-Arts, Brussels, June 2–September 3, 1995 (included early works) (Waldman 1994, no. 72 n.p. facing p. 79 color ill.); Wexner Center for the Arts, Ohio State University, Columbus, Ohio, September 21, 1995–January 7, 1996 (abridged version) (Waldman 1994, no. 72 n.p. facing p. 79 color ill.).
1997 Berlin Martin-Gropius-Bau
Zeitgeist-Gesellschaft, Martin-Gropius-Bau, Berlin, Die Epoche der Moderne: Kunst im 20. Jahrhundert, May 6–July 27, 1997 (Joachimides, Rosenthal, N. and Adams, B. 1997, no. 263 n.p. color ill.).
1998 Riehen Fondation Beyeler
Fondation Beyeler, Riehen, Switzerland, Roy Lichtenstein, May 24–September 27, 1998 (Beyeler [Fondation] 1998, no. 4 p. 37 color ill.).
2001 Newark, N.J., Newark Museum (Extended Loan)
Newark Museum, Newark, New Jersey, Extended Loan, April–December 2001, L7.2001.
2001 Hartford Wadsworth
Wadsworth Atheneum Museum of Art, Hartford, Connecticut, Noncomposition: Fifteen Case Studies, December 22, 2001–June 23, 2002 (Baume 2001, p. 13 b/w ill.).
2003 Las Vegas Guggenheim Hermitage
Guggenheim Hermitage Museum, Las Vegas, American Pop Icons, May 15–November 2, 2003 (Davidson, S. 2003, no. 13 n.p. facing p. 48 color ill.).
2003 Humlebaek Louisiana
Louisiana Museum of Art, Humlebaek, Denmark, Roy Lichtenstein: All about Art, August 22, 2003–January 18, 2004 (not Humlebaek; London March 10–May 16, 2003 only) (Holm, Tøjner, and Caiger-Smith 2003a, no. 9a. n.p. color ill. [double spread]). Traveled to: Hayward Gallery, London, February 26–May 16, 2004 (as Roy Lichtenstein); Museo Nacional Centro de Arte Reina Sofía, Madrid, June 24–September 27, 2004 (as Roy Lichtenstein) (Holm, Tøjner, and Caiger-Smith 2003b, no. 9a. n.p. color ill. [double spread]); San Francisco Museum of Modern Art, San Francisco, Calif., October 20, 2004–February 22, 2005 (as Roy Lichtenstein) (Holm, Tøjner, and Caiger-Smith 2003b, no. 9a. n.p. color ill. [double spread]).
2003 Vienna Kunstforum
Kunstforum, Vienna, Roy Lichtenstein, December 11, 2003–March 7, 2004 (Kunstforum Wien 2003, no. 5 p. 48 color ill.).
2005 Bregenz Kunsthaus
Kunsthaus Bregenz, Bregenz, Austria, Roy Lichtenstein: Classic of the New, June 12–September 4, 2005 (Schneider, E. 2005b, pp. 84–85 color ill. [double spread]); (Schneider, E. 2005c, pp. 84–85 color ill. [double spread]).
2005–07 Newark, N.J., Newark Museum (Extended Loan)
Newark Museum, Newark, New Jersey, Extended Loan, September 2005–February 2007, L4.2005.
2007 Rome Quirinale
Scuderie del Quirinale, Rome, Pop Art: 1956–1968, October 24, 2007–January 27, 2008 (Guadagnini 2007, no. 47 pp. 170–171 color ill. [double spread]).
Literature
Rosenblum 1963
Rosenblum, Robert. "Roy Lichtenstein and the 'Realist' Revolt/La rivolta 'realista' americana: Lichtenstein." Metro (Milan), no. 8 (May 1963), no. 8 p. 41 color ill.
Rublowsky 1965
Rublowsky, John (Photographs by Ken Heyman). Pop Art: Images of the American Dream. New York: Basic Books, 1965, n.p. color ill.
Pascal 1966
Lichtenstein, Roy, and David Pascal. "Pop art et comic books." Translated from the English by Colette Swarc. Giff-Wiff (Paris), no. 20 (May 1966), p. 10 b/w ill.
Waldman 1971b
Waldman, Diane. Roy Lichtenstein. New York: Harry N. Abrams, 1971, no. 36 n.p. color ill.
Coplans 1972a
Coplans, John, ed. Roy Lichtenstein. New York: Praeger Publishers, 1972, no. 24 n.p. b/w ill.
Roberts, K. 1976b
Roberts, Keith. "Roy Lichtenstein and the Popular Image." Burlington Magazine 118, no. 880 (July 1976), no. 96 p. 516 b/w ill.
Alloway 1983b
Alloway, Lawrence. Roy Lichtenstein. New York: Abbeville Press, 1983, no. 16 p. 22 b/w ill.
Abbott 1986
Abbott, L. L. "Comic Art: Characteristics and Potentialities of a Narrative Medium." Journal of Popular Culture 19, no. 4 (Spring 1986), no. 3 p. 160 b/w ill.
Hendrickson 1988
Hendrickson, Janis. Roy Lichtenstein. Cologne: Benedikt Taschen, 1988, p. 33 color ill.
Busche 1989
Busche, Ernst A. Roy Lichtenstein: Pop-Paintings, 1961–1969. Schirmer's visuelle Bibliothek 6. Munich: Schirmer/Mosel, 1989, no. 11 n.p. color ill. (double spread).
Osterwold 1989a
Osterwold, Tilman. Pop Art. Cologne: Benedikt Taschen, 1989, p. 45 color ill.
Berri 1990
Berri, Claude. Claude Berri recontre Leo Castelli. Edited by Ann Hindry. Paris: Renn, 1990, p. XXVII color ill.
Hindry 1991a
Hindry, Ann, ed. Artstudio. Special issue, Roy Lichtenstein, no. 20 (Spring 1991), p. 12 color ill.
Richardson, E. 1993
Richardson, Elizabeth. "Those Lichtenstein Women." Harper's Bazaar 126, no. 3383 (October 1993), no. 8 p. 235 color ill. (panel 2).
Waldman 1993c
Waldman, Diane. Roy Lichtenstein. Rizzoli Art Series. New York: Rizzoli, 1993, no. 6 color ill.
Paquet 1994
Paquet, Bernard. "Roy Lichtenstein: Des images à consommer." Vie des arts (Montreal) 39, no. 154 (Spring 1994), front cover color ill. (cropped).
Smith, R. 1994c
Smith, Roberta. "Roy Lichtenstein." Atelier (Tokyo), no. 803 (1994), p. 6 color ill.
BT 1994g
BT: Bijutsu techō (Tokyo). Special Issue, Roy Lichtenstein 60's–90's 46, no. 689 (June 1994), pp. 24–25 color ill. (double spread).
Jancène 1997
Jancène, France. "Les mots dans la peinture pop américaine: Jasper Johns, Andy Warhol et Roy Lichtenstein." PhD diss., Université de Paris X, Nanterre, 1997, p. 57 ill.
Whiting 1997
Whiting, Cécile. A Taste for Pop: Pop Art, Gender, and Consumer Culture. Cambridge, England: Cambridge University Press, 1997, no. 40 p. 115 b/w ill.
Serafini 2000
Serafini, Giuliano. Art e Dossier. Special issue, Lichtenstein (Milan), no. 152 (January 2000), p. 29 color ill.
Hindry 2001
Hindry, Ann. "Roy Lichtenstein." In Les années pop, edited by Beaux-Arts magazine, Paris. Paris: Beaux Arts Éditions, 2001, n.p. facing p. 30 color ill.
Vallese 2003
Vallese, Gloria. "Come si diventa un Lichtenstein." Arte (Milan), no. 362 (October 2003), p. 126 color ill.
Dai 2007
Dai, Weisen. 300 Years of American Art: Adaptation and Innovation. Translated by Zhou Lang, Xin Hua and Zhang Shaodou. Shanghai: Shang hai ci shu chu ban she, 2007. Exhibition catalogue (2007 Beijing National Museum), n.p. color ill. [not exhibited].
Davidson, S. 2007b
Davidson, Susan, ed. Art in America: 300 Years of Innovation. New York: Solomon R. Guggenheim Foundation, 2007. Exhibition catalogue (2007 Beijing National Museum), p. 270 color ill. [not exhibited].

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We reserve the right to terminate the Site, these Terms, and any Content, and your access to the Site and/or the Content, at any time without notice, for any reason.  The “Reliance on Information Posted,” “Copyright & Trademark,” “Inclusions in Catalogue Raisonné (or Lack Thereof),” “Additional Disclaimers,” “Limitation of Liability,” “Indemnification,” and “Governing Law” sections of these Terms (along with this provision and any other provision that by its terms contemplates survival) survive any termination of these Terms.

Governing Law

These Terms are the complete agreement between you and RLF regarding your use of the Site and is governed by applicable federal laws and the laws of the State of New York applicable to agreements made and completely performed there.  Any dispute arising out of or in connection with these Terms shall be subject to the exclusive jurisdiction and venue of the United States District Court for the Southern District of New York located in the Borough of Manhattan in the City of New York or, only if such court does not have subject-matter jurisdiction, the Supreme Court of the State of New York, New York County.

You irrevocably agree to bring any claim or dispute relating to your use of the Site and these Terms exclusively in the state and federal courts located in New York, to submit to the exclusive jurisdiction of those courts, and to waive any jurisdictional, venue, inconvenient forum, or other objections to those courts.  

Other

Section titles and headings are for convenience only and have no legal or contractual effect.  The failure of RLF to exercise or enforce any right or provision of the Terms shall not constitute a waiver of such right or provision.  If a court of competent jurisdiction determines that any provision of these Terms is unenforceable for any reason, then that provision will be deleted and the remaining provisions of these Terms will be enforceable to the fullest extent permitted by law.

Questions

Please email info@lichtensteinfoundation.org with any questions you may have about these Terms.