Brass, brass-plated steel
25 1/4 x 10 1/4 x 6 in. (64.1 x 26 x 15.2 cm)
Signed, dated, numbered and chopmarked on copper plate affixed to underside of base.
Classification: sculpture (editioned)

Sculpture (Editioned)

Catalogue entries for editioned sculpture provide conception and fabrication dates, dimensions, and transcriptions of inscriptions with brief summaries highlighting inconsistencies within editions.

All fabricators involved with an edition are documented, including their location at the time of fabrication and, when available, key workshop staff. Publishers and commissioners involved in the production and distribution of a sculpture are also listed. 

Remarks address conflicting information, historical cataloguing errors or other unclear details.

Primary Images usually illustrate an individual work in an edition, often with multiple images taken from various angles. Research Images document inscriptions or other details of interest.

The sub-classification sculpture (editioned) (wall) groups together editions of sculptures meant to be displayed mounted to a wall.

The primary sources consulted researching editioned sculptures were mainly the rich materials in the RLF Archives, such as studio correspondence, fabricator agreements and invoices, publisher’s royalty reports, shipping receipts, business logs and loan forms. In addition, frequent conversations were held with former fabricator staff and studio assistants. James dePasquale, Lichtenstein's assistant since the early 1970s, was primarily responsible for painting the artist's smaller sculptures after they were delivered by the fabricator to the artist’s studio. He served as an invaluable source for questions about media details and process.

Dates

Conception date is based on the year of completion of the collage or prototype used for an edition's fabrication. Fabrication date(s) follow the conception date in parentheses and are based on the year(s) in which individual works in an edition were delivered by the fabricator to the artist’s studio to be painted, usually shortly after delivery.

Dimensions

Dimensions reflect fabricators' dimensions recorded in official paperwork or documented in studio files maintained by the artist or his estate whenever available; otherwise, they stem from Castelli records, RL Studio Cards or the catalogue team's research.

Edition Numbers

When edition numbers for individual casts could not be confirmed, the edition number is given as "unkn" to mean unknown. The works may or may not correspond to other works in the same edition with incomplete provenance.

Inscriptions

Each edition entry gives a summary of the known inscriptions on all pieces. Separately, inscriptions on each piece are transcribed. Despite extensive research efforts, physical examination or documentation of inscriptions was not always possible, which is indicated by “[no information]”. When information was collected from an external source (often an auction house), inscriptions are given verbatim with a citation.

Provenance

Provenance histories are only provided for editions of 3, 6, 8, and 12, not for larger editions (see below, Large Editions).

Posthumous Casts

In accordance with Lichtenstein's intentions or unrealized plans left at the time of his passing, the Estate of the artist, after consultation with the Roy Lichtenstein Foundation, produced a select group of monumental and smaller casts. They are described as such in their catalogue entries.

In all cases, production was based on extended research and documentation with historical indications. The same fabricators were used for the posthumous casts as for the lifetime casts, with oversight provided by the artist's assistant James dePasquale, reflecting a standard studio practice. Often, the casts were made with higher quality materials and improved engineering, paint systems, etc., due to a less restrictive budget.

Posthumous casts, which do not reflect or expand lifetime editions are not included in the catalogue. For further information see: Projects of the ERL.

Large Editions

Large editions of more than twelve sculptures are presented in a single entry without documentation of all individual pieces, as only select pieces were examined. Location information is not provided unless a work is known to be in a museum collection. Information is based on fabricator papers (RLF Archives) and the authors’ research.

Read more: Guide to the Catalogue
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Catalogue entry

Artwork: Untitled Head I, 1969 (published 1970) (RLCR 1810) Photo: Courtesy Phillips
Artwork: Untitled Head I, 1969 (published 1970) (RLCR 1810) Photo: Courtesy Phillips
Artwork: Untitled Head I, 1969 (published 1970) (RLCR 1810) Photo: Courtesy Phillips
Artwork: Untitled Head I, 1969 (published 1970) (RLCR 1810) Photo: Courtesy Phillips
Artwork: Untitled Head I, 1969 (published 1970) (RLCR 1810) Photo: Courtesy Phillips
RLCR 1810 (LC G-45; Gemini 70-2000; NGA Gemini CR 31.31; RL 1120)
Untitled Head I
1969 (published 1970)
Title Source
NGA Gemini CR; RL Studio Card; RL Studio Photograph
Alternate titles and sources: Modern Head (RL Studio Photograph); Proof of "Modern Head" (RL Studio Photograph)
Media
Brass, brass-plated steel
Dimensions
25 1/4 x 10 1/4 x 6 in. (64.1 x 26 x 15.2 cm)
Description
Edition of 75; 3 publisher's proofs
Publisher: Gemini G.E.L., Los Angeles

Fabricator: Gemini G.E.L., Los Angeles (Project team: Kenneth Tyler and Jeff Sanders assisted by Herbert Tomkins (Tomkins Tooling Industry, Gardena, Calif. (?)), Pete Hoefer and Obed Silverwood)
Inscriptions
Signed, dated, numbered and chopmarked on copper plate affixed to underside of base.
Photo: Courtesy Phillips (all Primary Images)
Research Images
Untitled Head I, 1969 (published 1970) Ed. 25/75: Signature, date, number and chopmark on underside of base
Ed. 25/75: Signature, date, number and chopmark on underside of base
Related Works
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Exhibitions
Castelli Graphics (4 East 77th Street), New York, Roy Lichtenstein: New Editions, Lithographs, Sculptures, Reliefs, September 26–October 24, 1970 (ed. unknown) (Castelli Graphics 1970, ill.).
Art Gallery, University of California, Irvine, California, Roy Lichtenstein: Graphics, Reliefs and Sculpture, 1969–1970, October 27–December 6, 1970 (ed. unknown) (Coplans 1970c, p. 39 color ill.).
John Berggruen Gallery, San Francisco, Roy Lichtenstein: A Retrospective of Prints, 1962–1971, September 15–October 25, 1971 (ed. unknown) (John Berggruen Gallery 1971, no. 41 not ill.). Traveled to: Margo Leavin Gallery, Los Angeles, Calif., November 10–December 9, 1971 (Margo Leavin Gallery 1971, no. 41 not ill.).
Gallery 210, Lucas Hall, University of Missouri, St. Louis, Works by Lichtenstein, closed October 31, 1979. (ed. unknown).
Museo del Palacio de Bellas Artes, Instituto Nacional de Bellas Artes, Mexico City, Roy Lichtenstein: Imágenes reconocibles: Escultura, pintura y gráfica, July 9–October 18, 1998 (ed. unknown) (Instituto Nacional de Bellas Artes 1998, n.p. facing p. 105 color ill, p. 47 color ill.). Traveled to: Museo de Arte Contemporáneo de Monterrey, Monterrey, Mexico, November 5, 1998–January 31, 1999; Corcoran Gallery of Art, Washington, D.C., June 5–September 30, 1999 (as Roy Lichtenstein: Sculpture and Drawings, revised and expanded) (Corcoran 1999, no. 34 p. 96 color ill.); Instituto Valenciano de Arte Moderno (IVAM), Valencia, Spain, October 21, 1999–January 9, 2000 (Instituto Nacional de Bellas Artes 1999, n.p. facing p. 105 color ill, p. 47 color ill.); Fundación Pedro Barrié de la Maza, A Coruña, Spain, January 27–April 23, 2000 (Instituto Nacional de Bellas Artes 1999, n.p. facing p. 105 color ill, p. 47 color ill.); Centro Cultural de Belém, Lisbon, Portugal, May 11–August 15, 2000 (as Roy Lichtenstein: Imagens Reconhecíveis) (Instituto Nacional de Bellas Artes 2000, n.p. facing p. 105 color ill, p. 47 color ill.).
Mornington Peninsula Regional Gallery, Mornington, Australia, Roy Lichtenstein: Pop Remix, April 19–June 11, 2012 (ed. unknown) (Babington 2012). Traveled to: Queensland University of Technology Art Museum, Brisbane, Australia, June 29–August 26, 2012; Araluen Arts Centre, Alice Springs, Australia, April 26–June 10, 2013; National Gallery of Australia, Canberra, Australia, July 20, 2013–January 27, 2014 (revised and expanded).
Skirball Cultural Center, Los Angeles, Pop for the People: Roy Lichtenstein in L.A., October 7, 2016–March 12, 2017. (ed. unknown).
Literature
Gemini G.E.L. and National Gallery of Art. Gemini G.E.L. Catalogue Raisonné (Los Angeles and Washington, D.C.), 2001, no. 31.31 color ill. (ed. unknown).
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), fig. 31 p. 35 color ill. (with Jeff Sanders of Gemini G.E.L.), no. 49 p. 92 color ill. [not exhibited] (ed. unknown).
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), fig. 31 p. 35 color ill. (with Jeff Sanders of Gemini G.E.L.), no. 49 p. 92 color ill. [not exhibited] (ed. unknown).
Wolfe, Julie. Roy Lichtenstein: Outdoor Painted Sculpture. Los Angeles: Getty Conservation Institute, 2023, no. 1.22 p. 24 color ill. (ed. unknown).

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