Patinated bronze
58 1/4 x 19 x 10 in. (148 x 48.3 x 25.4 cm)
Numbered, signed, dated and chopmarked top of base.
Classification: sculpture (editioned)

Sculpture (Editioned)

Catalogue entries for editioned sculpture provide conception and fabrication dates, dimensions, and transcriptions of inscriptions with brief summaries highlighting inconsistencies within editions.

All fabricators involved with an edition are documented, including their location at the time of fabrication and, when available, key workshop staff. Publishers and commissioners involved in the production and distribution of a sculpture are also listed. 

Remarks address conflicting information, historical cataloguing errors or other unclear details.

Primary Images usually illustrate an individual work in an edition, often with multiple images taken from various angles. Research Images document inscriptions or other details of interest.

The sub-classification sculpture (editioned) (wall) groups together editions of sculptures meant to be displayed mounted to a wall.

The primary sources consulted researching editioned sculptures were mainly the rich materials in the RLF Archives, such as studio correspondence, fabricator agreements and invoices, publisher’s royalty reports, shipping receipts, business logs and loan forms. In addition, frequent conversations were held with former fabricator staff and studio assistants. James dePasquale, Lichtenstein's assistant since the early 1970s, was primarily responsible for painting the artist's smaller sculptures after they were delivered by the fabricator to the artist’s studio. He served as an invaluable source for questions about media details and process.

Dates

Conception date is based on the year of completion of the collage or prototype used for an edition's fabrication. Fabrication date(s) follow the conception date in parentheses and are based on the year(s) in which individual works in an edition were delivered by the fabricator to the artist’s studio to be painted, usually shortly after delivery.

Dimensions

Dimensions reflect fabricators' dimensions recorded in official paperwork or documented in studio files maintained by the artist or his estate whenever available; otherwise, they stem from Castelli records, RL Studio Cards or the catalogue team's research.

Edition Numbers

When edition numbers for individual casts could not be confirmed, the edition number is given as "unkn" to mean unknown. The works may or may not correspond to other works in the same edition with incomplete provenance.

Inscriptions

Each edition entry gives a summary of the known inscriptions on all pieces. Separately, inscriptions on each piece are transcribed. Despite extensive research efforts, physical examination or documentation of inscriptions was not always possible, which is indicated by “[no information]”. When information was collected from an external source (often an auction house), inscriptions are given verbatim with a citation.

Provenance

Provenance histories are only provided for editions of 3, 6, 8, and 12, not for larger editions (see below, Large Editions).

Posthumous Casts

In accordance with Lichtenstein's intentions or unrealized plans left at the time of his passing, the Estate of the artist, after consultation with the Roy Lichtenstein Foundation, produced a select group of monumental and smaller casts. They are described as such in their catalogue entries.

In all cases, production was based on extended research and documentation with historical indications. The same fabricators were used for the posthumous casts as for the lifetime casts, with oversight provided by the artist's assistant James dePasquale, reflecting a standard studio practice. Often, the casts were made with higher quality materials and improved engineering, paint systems, etc., due to a less restrictive budget.

Posthumous casts, which do not reflect or expand lifetime editions are not included in the catalogue. For further information see: Projects of the ERL.

Large Editions

Large editions of more than twelve sculptures are presented in a single entry without documentation of all individual pieces, as only select pieces were examined. Location information is not provided unless a work is known to be in a museum collection. Information is based on fabricator papers (RLF Archives) and the authors’ research.

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Catalogue entry

Artwork: Archaic Head, 1988 (fabricated 1989) (RLCR 3692)  RLCR 3692.0/6
RLCR 3692.0/6
Artwork: Archaic Head, 1988 (fabricated 1989) (RLCR 3692)  RLCR 3692.0/6
Artwork: Archaic Head, 1988 (fabricated 1989) (RLCR 3692)  RLCR 3692.0/6
Artwork: Archaic Head, 1988 (fabricated 1989) (RLCR 3692)  RLCR 3692.0/6
RLCR 3692 (LC 1074; RL 1234)
Archaic Head
1988 (fabricated 1989)
Title Source
Castelli; RL Studio Photograph
Alternate title and source: Archaic Head VI (RL Studio Card; RL Studio Photograph)
Media
Patinated bronze
Dimensions
58 1/4 x 19 x 10 in. (148 x 48.3 x 25.4 cm)
Description
Edition of 6; 1 AC 0/6
Fabricator: Tallix, Inc., Beacon, N.Y.
Inscriptions
Numbered, signed, dated and chopmarked top of base.
RLCR 3692.0/6
0/6 rf Lichtenstein '88 [Tallix chop]
RLCR 3692.1/6
1/6 rf Lichtenstein '88 [Tallix chop]
RLCR 3692.2/6
2/6 rf Lichtenstein '88 [Tallix chop]
RLCR 3692.3/6
3/6 rf Lichtenstein '88 [Tallix chop]
RLCR 3692.4/6
4/6 rf Lichtenstein '88 [Tallix chop]
RLCR 3692.5/6
5/6 rf Lichtenstein '88 [Tallix chop]
RLCR 3692.6/6
6/6 rf Lichtenstein '88 [Tallix chop]
Remarks

The casts are marked 1988. However, shipping notes are dated February through March 1989, suggesting fabrication extended into 1989 (RLF Archives).

Related Works
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Provenance
RLCR 3692.0/6
Private collection
RLCR 3692.1/6
PaineWebber Group Inc., New York City, July 1989 (via Leo Castelli Gallery, New York City; via 65 Thompson Street, New York City) [UBS Art Collection, 2000]
RLCR 3692.2/6
Jan Eric Löwenadler, New York City and Stockholm, June 1989 (via Leo Castelli Gallery, New York City)
The Olnick Spanu Collection, New York, May 1990
RLCR 3692.3/6
Estate of Roy Lichtenstein
Private collection, Aspen, Colo., June 2004 (via Mitchell-Innes & Nash, New York City) [owner deceased 2015]
RLCR 3692.4/6
Melva Bucksbaum, Des Moines, Iowa, October 1992 (via Leo Castelli Gallery, New York City; via Gagosian Gallery, New York City) [Melva Bucksbaum and Raymond J. Learsy, New York City, 2001]
RLCR 3692.5/6
Leo Castelli Gallery, New York City, February 1990 (artist sale)
Caroline Wiess Law, Houston, June 1992 [owner deceased December 2003]
RLCR 3692.6/6
Private collection, New York, April 1990 (via Leo Castelli Gallery, New York City; via 65 Thompson Street, New York City)
Private collection, September 1993 (via Gagosian Gallery, New York City)
Exhibitions
65 Thompson Street, New York, Roy Lichtenstein: Bronze Sculptures, 1976–1989, May 19–July 1, 1989 (ed. 6/6) (Tuten 1989, no. 32 p. 83 color ill. [as Archaic Head VI; ed. 6/6?]).
Guild Hall, East Hampton, New York, Roy Lichtenstein: Three Decades of Sculpture, August 15–October 4, 1992 (ed. 4/6) (Guild Hall 1992, fig 14 b/w ill. [ed. 4/6?]).
Solomon R. Guggenheim Museum, New York, Roy Lichtenstein: A Retrospective, October 7, 1993–January 16, 1994 (not Los Angeles) (ed. 4/6) (Waldman 1993b, no. 267 n.p. following p. 335 color ill. [ed. 4/6?]). Traveled to: Museum of Contemporary Art, Los Angeles, Calif., January 26–April 3, 1994; Musée des Beaux-Arts de Montréal, Montreal, May 26–September 5, 1994; Haus der Kunst, Munich, October 13, 1994–January 9, 1995 (included early works) (Waldman 1994, no. 267 n.p. following p. 335 color ill. [ed. 4/6?]); Deichtorhallen, Hamburg, Germany, February 8–April 30, 1995 (included early works) (Waldman 1994, no. 267 n.p. following p. 335 color ill. [ed. 4/6?]); Palais des Beaux-Arts, Brussels, June 2–September 3, 1995 (included early works) (Waldman 1994, no. 267 n.p. following p. 335 color ill. [ed. 4/6?]); Wexner Center for the Arts, Ohio State University, Columbus, Ohio, September 21, 1995–January 7, 1996 (abridged version) (Waldman 1994, no. 267 n.p. following p. 335 color ill. [ed. 4/6?]).
Museo del Palacio de Bellas Artes, Instituto Nacional de Bellas Artes, Mexico City, Roy Lichtenstein: Imágenes reconocibles: Escultura, pintura y gráfica, July 9–October 18, 1998 (ed. 0/6) (Instituto Nacional de Bellas Artes 1998, p. 180 color ill. [ed. 0/6?]). Traveled to: Museo de Arte Contemporáneo de Monterrey, Monterrey, Mexico, November 5, 1998–January 31, 1999; Corcoran Gallery of Art, Washington, D.C., June 5–September 30, 1999 (as Roy Lichtenstein: Sculpture and Drawings, revised and expanded) (Corcoran 1999, no. 114 p. 163 color ill. [ed. 0/6?]); Instituto Valenciano de Arte Moderno (IVAM), Valencia, Spain, October 21, 1999–January 9, 2000 (Instituto Nacional de Bellas Artes 1999, p. 180 color ill. [ed. 0/6?]); Fundación Pedro Barrié de la Maza, A Coruña, Spain, January 27–April 23, 2000 (Instituto Nacional de Bellas Artes 1999, p. 180 color ill. [ed. 0/6?]); Centro Cultural de Belém, Lisbon, Portugal, May 11–August 15, 2000 (as Roy Lichtenstein: Imagens Reconhecíveis) (Instituto Nacional de Bellas Artes 2000, p. 180 color ill. [ed. 0/6?]).
Gagosian Gallery (6–24 Britannia Street), London, Roy Lichtenstein: Sculpture, June 6–August 6, 2005 (ed. 0/6) (Foster, H. 2005, p. 81 color ill. [double spread detail on following page; ed. 0/6?]). Traveled to: Gagosian Gallery (555 West 24th Street), New York, N.Y., September 16–October 22, 2005.
Museum of Fine Arts, Houston, Tom Wesselmann and Roy Lichtenstein: American Pop, March 12–August 13, 2006. (ed. 5/6).
Art Institute of Chicago, Chicago, Roy Lichtenstein: A Retrospective, May 16–September 3, 2012 (not Paris) (ed. 0/6) (Rondeau and Wagstaff, Sheena 2012, no. 80 n.p. color ill. [erroneously captioned as AP; ed. 0/6?]). Traveled to: National Gallery of Art, Washington, D.C., October 14, 2012–January 13, 2013; Tate Modern, London, February 21–May 27, 2013 (as Lichtenstein: A Retrospective) (Dunne 2012); Musée National d'Art Moderne, Centre National d'Art et de Culture Georges Pompidou, Paris, July 3–November 4, 2013 (as Roy Lichtenstein, revised and reorganized) (Dunne 2013); (Pompidou 2013); (Morineau 2013a).
Mnuchin Gallery, New York, Casting Modernity: Bronze in the XXth Century, April 24–June 7, 2014 (ed. 0/6) (Ekserdjian 2014, n.p. preceding p. 74 b/w ill. [detail, with artist], no. 15 p. 75 color ill.).
Literature
MacIssac, Heather Smith (Photographs by Scott Frances). "Primary Space: Roy Lichtenstein Paints in Broad Strokes in His Renovated Studio." House and Garden 163, no. 7 (July 1991), p. 72 color ill. (in studio) (ed. unknown).
Braff, Phyllis. "Lichtenstein Sculpture: Full View." New York Times, August 16, 1992, p. 1 b/w ill. (with artist, in studio) (ed. unknown).
Lichtenstein, Roy, and Simonis Zafiropoulou. "Painting the 'clichés' of everyday life." Nέεs Enoxέs [New Era] (Athens, Greece), March 26, 1996, p. 9 color ill. (ed. unknown).
Steinhart, Matthias. "Ein Spiel mit der Antike: Das Werk Roy Lichtensteins lädt ein zur archäologischen Betrachtung." Antike Welt: Zeitschrift für Archäologie und Kulturgeschichte 37, no. 1 (January 2006), no. 3 p. 73 color ill. (ed. unknown).
Mercurio, Gianni, ed. Lichtenstein: Kunst als Motiv. Cologne: DuMont, 2010. Exhibition catalogue (2010 Milan Triennale), fig. 153 p. 344 b/w ill. [not exhibited] (ed. unknown).
Mercurio, Gianni, ed. Roy Lichtenstein: Meditations on Art. Translated from the Italian by Michael Haggerty. Milan: Skira; distributed by Rizzoli, New York, 2010. Exhibition catalogue (2010 Milan Triennale), fig. 153 p. 344 b/w ill. [not exhibited] (ed. unknown).
Mercurio, Gianni, ed. Roy Lichtenstein: Meditations on Art. Milan: Skira Editore, 2010. Exhibition catalogue (2010 Milan Triennale), fig. 153 p. 344 b/w ill. [not exhibited] (ed. unknown).
Daverio, Philippe. Roy Lichtenstein. Milan: Hachette Fascioli, 2011, p. 71 color ill. (ed. unknown).
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), no. 165 p. 205 b/w ill. [not exhibited] (ed. unknown).
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), no. 165 p. 205 b/w ill. [not exhibited] (ed. unknown).

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