Painted and patinated bronze
54 1/4 x 27 1/2 x 11 in. (137.8 x 69.9 x 27.9 cm)
Numbered, signed, dated and chopmarked base edge. Posthumous 0/6 numbered, marked with artist's name, dated, marked with copyright notice with year of fabrication and chopmarked base edge.
Classification: sculpture (editioned)

Sculpture (Editioned)

Catalogue entries for editioned sculpture provide conception and fabrication dates, dimensions, and transcriptions of inscriptions with brief summaries highlighting inconsistencies within editions.

All fabricators involved with an edition are documented, including their location at the time of fabrication and, when available, key workshop staff. Publishers and commissioners involved in the production and distribution of a sculpture are also listed. 

Remarks address conflicting information, historical cataloguing errors or other unclear details.

Primary Images usually illustrate an individual work in an edition, often with multiple images taken from various angles. Research Images document inscriptions or other details of interest.

The sub-classification sculpture (editioned) (wall) groups together editions of sculptures meant to be displayed mounted to a wall.

The primary sources consulted researching editioned sculptures were mainly the rich materials in the RLF Archives, such as studio correspondence, fabricator agreements and invoices, publisher’s royalty reports, shipping receipts, business logs and loan forms. In addition, frequent conversations were held with former fabricator staff and studio assistants. James dePasquale, Lichtenstein's assistant since the early 1970s, was primarily responsible for painting the artist's smaller sculptures after they were delivered by the fabricator to the artist’s studio. He served as an invaluable source for questions about media details and process.

Dates

Conception date is based on the year of completion of the collage or prototype used for an edition's fabrication. Fabrication date(s) follow the conception date in parentheses and are based on the year(s) in which individual works in an edition were delivered by the fabricator to the artist’s studio to be painted, usually shortly after delivery.

Dimensions

Dimensions reflect fabricators' dimensions recorded in official paperwork or documented in studio files maintained by the artist or his estate whenever available; otherwise, they stem from Castelli records, RL Studio Cards or the catalogue team's research.

Edition Numbers

When edition numbers for individual casts could not be confirmed, the edition number is given as "unkn" to mean unknown. The works may or may not correspond to other works in the same edition with incomplete provenance.

Inscriptions

Each edition entry gives a summary of the known inscriptions on all pieces. Separately, inscriptions on each piece are transcribed. Despite extensive research efforts, physical examination or documentation of inscriptions was not always possible, which is indicated by “[no information]”. When information was collected from an external source (often an auction house), inscriptions are given verbatim with a citation.

Provenance

Provenance histories are only provided for editions of 3, 6, 8, and 12, not for larger editions (see below, Large Editions).

Posthumous Casts

In accordance with Lichtenstein's intentions or unrealized plans left at the time of his passing, the Estate of the artist, after consultation with the Roy Lichtenstein Foundation, produced a select group of monumental and smaller casts. They are described as such in their catalogue entries.

In all cases, production was based on extended research and documentation with historical indications. The same fabricators were used for the posthumous casts as for the lifetime casts, with oversight provided by the artist's assistant James dePasquale, reflecting a standard studio practice. Often, the casts were made with higher quality materials and improved engineering, paint systems, etc., due to a less restrictive budget.

Posthumous casts, which do not reflect or expand lifetime editions are not included in the catalogue. For further information see: Projects of the ERL.

Large Editions

Large editions of more than twelve sculptures are presented in a single entry without documentation of all individual pieces, as only select pieces were examined. Location information is not provided unless a work is known to be in a museum collection. Information is based on fabricator papers (RLF Archives) and the authors’ research.

Read more: Guide to the Catalogue
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Catalogue entry

Artwork: Brushstroke, 1982 (fabricated 1982, posthumous 0/6 fabricated 2021) (RLCR 3107)  RLCR 3107.1/6
RLCR 3107.1/6
Artwork: Brushstroke, 1982 (fabricated 1982, posthumous 0/6 fabricated 2021) (RLCR 3107)  RLCR 3107.1/6
Artwork: Brushstroke, 1982 (fabricated 1982, posthumous 0/6 fabricated 2021) (RLCR 3107)  RLCR 3107.1/6
Artwork: Brushstroke, 1982 (fabricated 1982, posthumous 0/6 fabricated 2021) (RLCR 3107)  RLCR 3107.1/6
RLCR 3107 (LC 911; RL 0882)
Brushstroke
1982 (fabricated 1982, posthumous 0/6 fabricated 2021)
Title Source
Castelli; RL Studio Card; RL Studio Photograph
Alternate title and source: Brushstroke with Yellow Top (RL Studio Photograph)
Media
Painted and patinated bronze
Dimensions
54 1/4 x 27 1/2 x 11 in. (137.8 x 69.9 x 27.9 cm)
Description
Edition of 6 plus posthumous 0/6
Fabricators: Tallix Inc., Peekskill, N.Y. (ed. 1/6–6/6); Urban Art Projects (UAP), Rock Tavern, N.Y. (posthumous 0/6).
Inscriptions
Numbered, signed, dated and chopmarked base edge. Posthumous 0/6 numbered, marked with artist's name, dated, marked with copyright notice with year of fabrication and chopmarked base edge.
RLCR 3107.0/6
0/6 ROY LICHTENSTEIN '82 / © RLI 3D, LLC 2021 UAP
RLCR 3107.1/6
1/6 rf Lichtenstein '82 [Tallix chop]
RLCR 3107.2/6
2/6 rf Lichtenstein '82 [Tallix chop]
RLCR 3107.3/6
3/6 rf Lichtenstein '82 [Tallix chop]
RLCR 3107.4/6
4/6 rf Lichtenstein '82 [Tallix chop]
RLCR 3107.5/6
5/6 rf Lichtenstein '82 [Tallix chop]
RLCR 3107.6/6
6/6 rf Lichtenstein '82 [Tallix chop]
Research Images
Brushstroke, 1982 (fabricated 1982, posthumous 0/6 fabricated 2021) RLCR 3107.1/6.  Inscription
RLCR 3107.1/6: Inscription
Brushstroke, 1982 (fabricated 1982, posthumous 0/6 fabricated 2021) RLCR 3107.5/6.  Inscription
RLCR 3107.5/6: Inscription
Related Works
loading
Provenance
RLCR 3107.0/6
Private collection
RLCR 3107.1/6
Private collection
RLCR 3107.2/6
Max Palevsky, January 1984 (via Leo Castelli Gallery, New York City, in exchange for RLCR 3167.2/6, Brushstrokes in Flight)
(Christie's, New York, November 10, 2010, sale 2355, lot 53)
Private collection
RLCR 3107.3/6
Richard Freedman, Los Angeles, October 1982 (via Leo Castelli Gallery, New York City; via Shaindy Fenton, Fort Worth, Tex.)
{Sotheby's, New York, November 6, 1990, sale 6090, lot 55}
(...)
Private collection, Chicago
Eykyn Maclean, New York City
RLCR 3107.4/6
Collection James and Katherine Goodman, New York City (artist gift)
RLCR 3107.5/6
Private collection, New York, October 1983 (via Leo Castelli Gallery, New York City, in exchange for RLCR 2775, This Figure is Pursued by that Figure)
(Sotheby's, New York, November 15, 2007, sale N08364, lot 200)
Gagosian Gallery, New York City
(Sotheby's New York, November 13, 2012, sale N08900, Lot 51)
Private collection
Private collection, Asia
Private collection, 2013
(Sotheby's, London, February 10, 2016, sale L16020, lot 29)
Laurans and Arlene Mendelson, Miami, Fla.
RLCR 3107.6/6
Galerie Beyeler, Basel, Switzerland, September 1982 (via Leo Castelli Gallery, New York City)
Betty Freeman, Beverly Hills, Calif., December 1985 (via James Goodman Gallery, New York City) [owner deceased January 2009]
{Christie's, New York, May 13, 2009, sale 2167, lot 15}
Private Collection, Helsinki, May 2009 (via Christie's post-auction sale, New York)
(Phillips, New York, May 16, 2023, sale NY010423, lot 117)
Exhibitions
Leo Castelli Gallery (420 West Broadway), New York, 25th Anniversary Exhibition, June 1–October 23, 1982. (ed. 2/6).
Galerie Daniel Templon, Paris, Roy Lichtenstein: Œuvres récentes, January 8–February 10, 1983. (ed. 5/6).
Leo Castelli Gallery (142 Greene Street), New York, Sculpture, June 11–September 1983. (ed. 5/6).
Nantenshi Gallery, Tokyo, Roy Lichtenstein: Recent Painting and Sculpture, June 6–25, 1983 (ed. 2/6) (Nantenshi Gallery 1983, front cover color ill.). Traveled to: Gallery Humanité, Nagoya, Japan, June 27–July 9, 1983 (expanded with a selection of prints).
Gallery Stratford, Stratford, Ontario, Canada, American Accents/Accents américains, June 6–August 7, 1983. (ed. unknown). Traveled to: College Park, Toronto, August 18–September 17, 1983 (Geldzahler 1983, color ill.); Musée du Quebec, Quebec City, September 22–October 26, 1983 (Geldzahler 1983, color ill.); Art Gallery of Nova Scotia, Halifax, Nova Scotia, Canada, January 5–February 6, 1984 (Geldzahler 1983, color ill.); Art Gallery of Windsor, Windsor, Ontario, Canada, February 23–March 25, 1984 (Geldzahler 1983, color ill.); Edmonton Art Gallery, Edmonton, Alberta, Canada, April 5–May 13, 1984 (Geldzahler 1983, color ill.); Vancouver Art Gallery, Vancouver, British Columbia, Canada, July 7–August 26, 1984 (Geldzahler 1983, color ill.); Glenbow Museum, Calgary, Alberta, Canada, September 13–October 30, 1984 (Geldzahler 1983, color ill.); Musée d’Art Contemporain, Montreal, November 29, 1984–January 30, 1985 (Geldzahler 1983, color ill.).
65 Thompson Street, New York, Roy Lichtenstein: Bronze Sculptures, 1976–1989, May 19–July 1, 1989 (ed. 1/6) (Tuten 1989, no. 23 p. 65 color ill. [ed. 1/6?]).
Museo del Palacio de Bellas Artes, Instituto Nacional de Bellas Artes, Mexico City, Roy Lichtenstein: Imágenes reconocibles: Escultura, pintura y gráfica, July 9–October 18, 1998 (ed. 1/6) (Instituto Nacional de Bellas Artes 1998, p. 48 color ill. [ed. 1/6?], p. 149 color ill. [ed. 1/6?]). Traveled to: Museo de Arte Contemporáneo de Monterrey, Monterrey, Mexico, November 5, 1998–January 31, 1999; Corcoran Gallery of Art, Washington, D.C., June 5–September 30, 1999 (as Roy Lichtenstein: Sculpture and Drawings, revised and expanded) (Corcoran 1999, p. 18 color ill. [ed. 1/6?], no. 89 p. 140 color ill. [ed. 1/6?]); Instituto Valenciano de Arte Moderno (IVAM), Valencia, Spain, October 21, 1999–January 9, 2000 (Instituto Nacional de Bellas Artes 1999, p. 48 color ill. [ed. 1/6?], p. 149 color ill. [ed. 1/6?]); Fundación Pedro Barrié de la Maza, A Coruña, Spain, January 27–April 23, 2000 (Instituto Nacional de Bellas Artes 1999, p. 48 color ill. [ed. 1/6?], p. 149 color ill. [ed. 1/6?]); Centro Cultural de Belém, Lisbon, Portugal, May 11–August 15, 2000 (as Roy Lichtenstein: Imagens Reconhecíveis) (Instituto Nacional de Bellas Artes 2000, p. 48 color ill. [ed. 1/6?], p. 149 color ill. [ed. 1/6?]).
Nassau County Museum of Art, Roslyn Harbor, New York, Long Island Collects: An Exhibition Celebrating Art from Long Island Collections, May 12–August 4, 2002 (ed. 5/6) (Schwartz, C. 2002, p. 65 b/w ill.).
Nassau County Museum of Art, Roslyn Harbor, New York, Master Artworks from Private Collections, August 21–November 6, 2005 (ed. 5/6) (Schwartz, C. and Perrell 2005, p. 20 color ill.).
James Goodman Gallery, New York, Roy Lichtenstein: Works on Paper: A Retrospective, November 20, 2006–January 30, 2007 (ed. 4/6) (Goodman, James 2006, color ill. [ed. 4/6?]).
James Goodman Gallery, New York, Reframing the Brushstroke: Klein to Lichtenstein, Hofmann to Dine, November 2–29, 2017. (ed. 4/6).
Galerie Thaddaeus Ropac, Salzburg, Austria, Roy Lichtenstein: The Loaded Brush, July 27–September 28, 2019 (ed. 1/6) (Galerie Thaddaeus Ropac 2019, n.p. facing p. 106 color ill, n.p. following p. 106 color ill. [detail, double spread]).
Pace Gallery, Palm Beach, Florida, Roy Lichtenstein, March 18–April 11, 2021. (ed. 4/6).
Literature
Galerie Daniel Templon, Paris. Daniel Templon, 1978–1983. Paris: Daniel Templon, 1984, p. 76 b/w ill. (ed. 5/6?) (ed. 5/6).
Galerie Daniel Templon, Paris. 40 ans. Paris: Communic’Art and Galerie Daniel Templon, 2006, p. 220 color ill. (installation view, 1983 Paris Templon) (ed. 5/6).
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), no. 118 n.p. facing p. 156 color ill. [not exhibited] (ed. unknown).
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), no. 118 n.p. facing p. 156 color ill. [not exhibited] (ed. unknown).
Bauer, Gunhild, and Klaus Albrecht Schröder, eds. Roy Lichtenstein. Munich; London; New York: Prestel, 2024. Exhibition catalogue (2024 Vienna Albertina), fig. 7 p. 74 color ill. [not exhibited] (ed. unknown).
Bauer, Gunhild, and Klaus Albrecht Schröder, eds. Roy Lichtenstein. Vienna: Albertina; Munich: Prestel Verlag, 2024. Exhibition catalogue (2024 Vienna Albertina), fig. 7 p. 74 color ill. [not exhibited] (ed. unknown).

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