Cloisonné porcelain enamel, gold wire, silver (?) back plate
3 1/2 x 2 1/2 in. (8.9 x 6.4 cm)
AP1 signed and marked AP verso. AP2 signed and marked A/P #2 verso. Ed. 1/6 dated, signed and numbered verso. Ed. 6/6 signed, dated and numbered verso.
Classification: jewelry

Jewelry

Lichtenstein experimented with making jewelry several times. In the late 1940s to early 1950s he purchased a casting machine traditionally used by dentists and jewelers, which he used to cast silver pendants and earrings (Letter from Joseph O'Sickey to RLF, October 2007, RLF Archives). He gave some pieces to friends and family. Most are only known from black-and-white images in the RLF Archives. In the late 1960s the artist designed two enamel pendant and pin editions. Around the same time, he also created large-scale enamel artworks (See: 04.07. ENAMEL).

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Catalogue entry

Artwork: Teardrop Pendant, c. 1965 (fabricated c. 1966–67) (RLCR 1282)  Ed. 1/6
Ed. 1/6
RLCR 1282 (LC G-84; RL 1660)
Status: Research Pending
Teardrop Pendant
c. 1965 (fabricated c. 1966–67)
Title Source
RLF
Alternate title and source: Pendant (RL Studio Card)
Media
Cloisonné porcelain enamel, gold wire, silver (?) back plate
Dimensions
3 1/2 x 2 1/2 in. (8.9 x 6.4 cm)
Description
Edition of 6; 2 AP
Fabricator: El Clubo, New York (Robert Kulicke's cloisonné workshop)
Inscriptions
AP1 signed and marked AP verso. AP2 signed and marked A/P #2 verso. Ed. 1/6 dated, signed and numbered verso. Ed. 6/6 signed, dated and numbered verso.
RLCR 1282.AP1
rf Lichtenstein / AP
RLCR 1282.AP2
rf Lichtenstein / A/P #2
RLCR 1282.1/6
1966 / rf Lichtenstein / 1/6
RLCR 1282.2/6
[no information]
RLCR 1282.3/6
[no information]
RLCR 1282.4/6
[no information]
RLCR 1282.5/6
[no information]
RLCR 1282.6/6
"Signed, dated '67 and numbered 6/6 on the reverse" (per Sotheby Parke Bernet, sale 4552M)
Research Images
Teardrop Pendant, c. 1965 (fabricated c. 1966–67) RLCR 1282.1/6.  Inscription
RLCR 1282.1/6: Inscription
Related Works
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Provenance
RLCR 1282.AP1
Private collection
RLCR 1282.AP2
(...)
Betty Barman Collection, Brussels, c. late 1960s
Eugenia Artiles Rodríguez, Las Palmas de Gran Canaria, Spain, 1985 (by gift)
Barman Family Collection, Las Palmas de Gran Canaria, Spain, 2024 (by gift)
RLCR 1282.1/6
Betty Asher, Los Angeles (likely via Multiples, Inc., New York City)
Michael Asher, Los Angeles, 1994 (by descent)
Michael Asher Foundation, Los Angeles, 2013 (by descent)
(Sotheby's, New York, November 15, 2018, sale N09933, lot 155)
RLCR 1282.2/6
(...)
RLCR 1282.3/6
(...)
RLCR 1282.4/6
Hervey Kimball, Jr., New York, September 1967 (via Multiples, Inc., New York City; via Eva Lee Gallery, Great Neck, N.Y.) [owner not located]
RLCR 1282.5/6
Grete Schultz, Great Neck, N.Y., c. 1968 (via Multiples, Inc., New York City; via Eva Lee Gallery, Great Neck, N.Y.) [owner not located]
RLCR 1282.6/6
Collection Gartenberg, c. 1968 (via Multiples, Inc., New York City; via Eva Lee Gallery, Great Neck, N.Y.)
(Sotheby Parke Bernet, New York, February 27, 1981, sale 4552M, lot 8)
Owner unknown
Exhibitions
Multiples, Inc, New York, Cloisonné Jewelry, December 7–31, 1965. (ed. unknown).
Hessisches Landesmuseum, Darmstadt, Germany, Moderner Schmuck von Malern und Bildhauern / Moderne juwelen door schilders en beeldhouwers / Jewelry by Contemporary Painters and Sculptors, May 19–June 25, 1967 (AP1) (Neu 1967, no. 61 b/w ill.). Traveled to: Museum Boymans-van Beuningen, Rotterdam, Netherlands Antilles, July 6–August 13, 1967; Founders' Room, Museum of Modern Art, New York, N.Y., October 3–6, 1967; Headley Hall, St. Cloud State College, St. Cloud, Minn., October 26–November 16, 1967; Art Museum, University of Texas, Austin, Tex., December 1–31, 1967; Roanoke Fine Arts Center, Roanoke, Va., January 19–February 11, 1968; BGSU Fine Arts Gallery, Bowling Green State University, Bowling Green, Ohio, March 3–24, 1968; Krannert Art Museum, University of Illinois, Urbana-Champaign, Ill., April 14–May 12, 1968; Chicago Arts Club, Chicago, Ill., May 24–June 30, 1968.
Jewish Museum, New York, Superlimited: Books, Boxes and Things, April 16–June 29, 1969 (ed. unknown) (Jewish Museum 1969, no. 95 not ill. [as Untitled; dated 1968–69]).
University Art Museum, California State University, Long Beach, California, The Great American Pop Art Store: Multiples of the Sixties, August 26–October 26, 1997 (AP1) (Glenn, C. 1997, no. 22 n.p. color ill.). Traveled to: Jane Voorhees Zimmerli Art Museum, Rutgers University, State University of New Jersey, New Brunswick, N.J., November 22, 1997–February 22, 1998; Baltimore Museum of Art, Baltimore, Md., March 25–May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, Ala., June 27–August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Minn., October 3–December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, Tex., January 18–March 14, 1999; Wichita Art Museum, Witchita, Kans., April 11–June 6, 1999; Muskegon Museum of Art, Muskegon, Mich., July 29–September 12, 1999; Joslyn Art Museum, Omaha, Neb., October 23, 1999–January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, Fla., February 3–March 26, 2000; Toledo Museum of Art, Toledo, Ohio, June 4–August 13, 2000.
New York Museum of Arts and Design, New York, Picasso to Koons: The Artist As Jeweler, September 20, 2011–January 8, 2012 (only New York) (AP1) (Venet 2011, p. 173 color ill, front cover color ill.). Traveled to: Benaki Museum, Athens, Greece, May 16–September 2, 2012; Institut Valencia d’Art Modern (IVAM), Valencia, Spain, December 4, 2012–February 17, 2013; Bass Museum of Art, Miami Beach, Fla., March 15–July 21, 2013; Hangaram Design Museum, Seoul Arts Center, Seoul, South Korea, December 2, 2013–February 23, 2014; Palazzo Nani Mocenigo, Venice, Italy, February 8–August 16, 2015; Latvijas Nacionālais mākslas muzejs, Riga, Latvia, November 4–December 3, 2017; Musée des Arts Décoratifs, Paris, March 7–September 9, 2018 (as De Calder à Koons, bijoux d’artistes: La collection idéale de Diane Venet) (Lacquemant and Venet 2018); Espace Indigo, Grimaldi Forum, Monaco, July 11–August 19, 2021 (as Bijoux d’artistes, de Picasso à Koons: La collection idéale de Diane Venet) (Lacquemant and Venet 2018); Cercle Cité, Luxembourg, October 23, 2021–January 23, 2022 (as Bijoux d’artistes, de Picasso à Koons: La collection idéale de Diane Venet) (Lacquemant and Venet 2018).
Literature
McDevitt, Jan. "Cloisonné." Craft Horizons 25, no. 6 (November–December 1965), not ill. (ed. unknown).
Preston, Ruth. "Jewel of an Art." New Yok Post, December 3, 1965, p. 52 not ill. (ed. unknown).
Multiples Gallery. Multiples Gallery, Inc. New York: Multiples Gallery, 1966, no. 1 b/w ill. (ed. unknown).
"Jewelry by Contemporary Painters and Sculptors." Craft Horizons 27, no. 3 (May–June 1967), p. 36 b/w ill. (as Tear Drop) (AP1).
Glenn, Constance W. Roy Lichtenstein: Ceramic Sculpture. Long Beach: California State University, Long Beach, 1977. Exhibition catalogue (1977 Long Beach CSU), fig. 5 p. 9 color ill. (as Cloisonné Pendant), [not exhibited] (ed. unknown).
Wolf, Toni Lesser. "The Intimate Art." ARTnews 88, no. 9 (November 1989), p. 126 color ill. (ed. unknown).
Schwarz, Dieter, ed. Multiples, Inc,1965–1992. New York: Marian Goodman Gallery; Cologne: Buchhandlung Walther and Franz König, 2021. Exhibition catalogue (2021 New York M. Goodman), p. 13 color ill. [not exhibited] (ed. unknown).
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