Painted and patinated bronze
67 3/8 x 31 x 19 in. (171.1 x 78.7 x 48.3 cm)
Ed. 1/3 and ed. 3/3 numbered, signed and dated table edge. Ed. 2/3 numbered and signed. Posthumous 0/3 numbered, marked with artist's name, dated, marked with copyright notice with year of fabrication and chopmarked table edge.
Classification: sculpture (editioned)

Sculpture (Editioned)

Catalogue entries for editioned sculpture provide conception and fabrication dates, dimensions, and transcriptions of inscriptions with brief summaries highlighting inconsistencies within editions.

All fabricators involved with an edition are documented, including their location at the time of fabrication and, when available, key workshop staff. Publishers and commissioners involved in the production and distribution of a sculpture are also listed. 

Remarks address conflicting information, historical cataloguing errors or other unclear details.

Primary Images usually illustrate an individual work in an edition, often with multiple images taken from various angles. Research Images document inscriptions or other details of interest.

The sub-classification sculpture (editioned) (wall) groups together editions of sculptures meant to be displayed mounted to a wall.

The primary sources consulted researching editioned sculptures were mainly the rich materials in the RLF Archives, such as studio correspondence, fabricator agreements and invoices, publisher’s royalty reports, shipping receipts, business logs and loan forms. In addition, frequent conversations were held with former fabricator staff and studio assistants. James dePasquale, Lichtenstein's assistant since the early 1970s, was primarily responsible for painting the artist's smaller sculptures after they were delivered by the fabricator to the artist’s studio. He served as an invaluable source for questions about media details and process.

Dates

Conception date is based on the year of completion of the collage or prototype used for an edition's fabrication. Fabrication date(s) follow the conception date in parentheses and are based on the year(s) in which individual works in an edition were delivered by the fabricator to the artist’s studio to be painted, usually shortly after delivery.

Dimensions

Dimensions reflect fabricators' dimensions recorded in official paperwork or documented in studio files maintained by the artist or his estate whenever available; otherwise, they stem from Castelli records, RL Studio Cards or the catalogue team's research.

Edition Numbers

When edition numbers for individual casts could not be confirmed, the edition number is given as "unkn" to mean unknown. The works may or may not correspond to other works in the same edition with incomplete provenance.

Inscriptions

Each edition entry gives a summary of the known inscriptions on all pieces. Separately, inscriptions on each piece are transcribed. Despite extensive research efforts, physical examination or documentation of inscriptions was not always possible, which is indicated by “[no information]”. When information was collected from an external source (often an auction house), inscriptions are given verbatim with a citation.

Provenance

Provenance histories are only provided for editions of 3, 6, 8, and 12, not for larger editions (see below, Large Editions).

Posthumous Casts

In accordance with Lichtenstein's intentions or unrealized plans left at the time of his passing, the Estate of the artist, after consultation with the Roy Lichtenstein Foundation, produced a select group of monumental and smaller casts. They are described as such in their catalogue entries.

In all cases, production was based on extended research and documentation with historical indications. The same fabricators were used for the posthumous casts as for the lifetime casts, with oversight provided by the artist's assistant James dePasquale, reflecting a standard studio practice. Often, the casts were made with higher quality materials and improved engineering, paint systems, etc., due to a less restrictive budget.

Posthumous casts, which do not reflect or expand lifetime editions are not included in the catalogue. For further information see: Projects of the ERL.

Large Editions

Large editions of more than twelve sculptures are presented in a single entry without documentation of all individual pieces, as only select pieces were examined. Location information is not provided unless a work is known to be in a museum collection. Information is based on fabricator papers (RLF Archives) and the authors’ research.

Read more: Guide to the Catalogue
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Catalogue entry

Artwork: Teapot on Stand, c. 1977 (fabricated 1977, posthumous 0/3 fabricated 2021) (RLCR 2667)  RLCR 2667.3/3
RLCR 2667.3/3
Artwork: Teapot on Stand, c. 1977 (fabricated 1977, posthumous 0/3 fabricated 2021) (RLCR 2667)  RLCR 2667.3/3
Artwork: Teapot on Stand, c. 1977 (fabricated 1977, posthumous 0/3 fabricated 2021) (RLCR 2667)  RLCR 2667.3/3
Artwork: Teapot on Stand, c. 1977 (fabricated 1977, posthumous 0/3 fabricated 2021) (RLCR 2667)  RLCR 2667.3/3
Artwork: Teapot on Stand, c. 1977 (fabricated 1977, posthumous 0/3 fabricated 2021) (RLCR 2667)  RLCR 2667.3/3
Artwork: Teapot on Stand, c. 1977 (fabricated 1977, posthumous 0/3 fabricated 2021) (RLCR 2667)  RLCR 2667.3/3
RLCR 2667 (LC 778; RL 0691)
Teapot on Stand
c. 1977 (fabricated 1977, posthumous 0/3 fabricated 2021)
Title Source
Castelli; RL Studio Card; RL Studio Photograph
Alternate title and source: Teapot on Table (RL Studio Photograph)
Media
Painted and patinated bronze
Dimensions
67 3/8 x 31 x 19 in. (171.1 x 78.7 x 48.3 cm)
Description
Edition of 3 plus posthumous 0/3
Fabricators: Tallix Inc., Peekskill, N.Y. (ed. 1/3–3/3); Urban Art Projects (UAP), Rock Tavern, N.Y. (posthumous 0/3).
Inscriptions
Ed. 1/3 and ed. 3/3 numbered, signed and dated table edge. Ed. 2/3 numbered and signed. Posthumous 0/3 numbered, marked with artist's name, dated, marked with copyright notice with year of fabrication and chopmarked table edge.
RLCR 2667.0/3
0/3 ROY LICHTENSTEIN '77 / © RLI 3D, LLC 2021 UAP
RLCR 2667.1/3
1/3 rf Lichtenstein '77
RLCR 2667.2/3
2/3 rf Lichtenstein
RLCR 2667.3/3
3/3 rf Lichtenstein '76
Remarks

The date 1976 marked on cast 3/3 is likely erroneous. Invoices for payments to the fabricator are dated January 1977 for ed. 1/3 and March 1977 for eds. 2/3 and 3/3 (RLF Archives).

Research Images
Teapot on Stand, c. 1977 (fabricated 1977, posthumous 0/3 fabricated 2021) RLCR 2667.1/3.  Example of inscription
RLCR 2667.1/3: Example of inscription
Related Works
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Provenance
RLCR 2667.0/3
Private collection
RLCR 2667.1/3
OK Harris, New York City, January 1978 (via Leo Castelli Gallery, New York City)
(Christie's, New York, November 7, 1989, sale Joker-6936, lot 77)
Owner unknown
Carusso International, Seattle
PaceWildenstein, New York City, November 1997
Private collection, New York City, May 1998 (via Pat Caporaso, New York)
Private collection, Short Hills, New Jersey, June 2001 (via PaceWildenstein, New York City; via Tilton Gallery, New York City)
RLCR 2667.2/3
Private collection, London, March 1978 (via Leo Castelli Gallery, New York City; via The Mayor Gallery, London)
RLCR 2667.3/3
Private collection (artist gift)
Exhibitions
Mayor Gallery, London, Roy Lichtenstein: Sculpture, November 16–December 20, 1977 (ed. 2/3) (Morphet 1977, no. 12 color ill.).
Leo Castelli Gallery (420 West Broadway), New York, Roy Lichtenstein: Sculpture, November 19–December 17, 1977 (ed. 1/3) (Morphet 1977, no. 12 color ill.).
65 Thompson Street, New York, Roy Lichtenstein: Bronze Sculptures, 1976–1989, May 19–July 1, 1989 (ed. 3/3) (Tuten 1989, no. 13 p. 45 color ill, frontispiece b/w ill. [with artist in studio, ed. 3/3?]).
Museo del Palacio de Bellas Artes, Instituto Nacional de Bellas Artes, Mexico City, Roy Lichtenstein: Imágenes reconocibles: Escultura, pintura y gráfica, July 9–October 18, 1998 (ed. 3/3) (Instituto Nacional de Bellas Artes 1998, p. 135 color ill. [ed. 3/3?]). Traveled to: Museo de Arte Contemporáneo de Monterrey, Monterrey, Mexico, November 5, 1998–January 31, 1999; Corcoran Gallery of Art, Washington, D.C., June 5–September 30, 1999 (as Roy Lichtenstein: Sculpture and Drawings, revised and expanded) (Corcoran 1999, no. 70 p. 126 color ill. [ed. 3/3?]); Instituto Valenciano de Arte Moderno (IVAM), Valencia, Spain, October 21, 1999–January 9, 2000 (Instituto Nacional de Bellas Artes 1999, p. 135 color ill. [ed. 3/3?]); Fundación Pedro Barrié de la Maza, A Coruña, Spain, January 27–April 23, 2000 (Instituto Nacional de Bellas Artes 1999, p. 135 color ill. [ed. 3/3?]); Centro Cultural de Belém, Lisbon, Portugal, May 11–August 15, 2000 (as Roy Lichtenstein: Imagens Reconhecíveis) (Instituto Nacional de Bellas Artes 2000, p. 135 color ill. [ed. 3/3?]).
Chiostro del Bramante, Rome, Roy Lichtenstein, Riflessi/Reflections, December 20, 1999–April 2, 2000 (only Wolfsburg; Rome?) (ed. 1/3) (Waldman 1999, no. 50 p. 109 color ill. [ed. 1/3?]). Traveled to: Padiglione d'Arte Contemporanea, Milan, April 20–June 25, 2000; Kunstmuseum Wolfsburg, Wolfsburg, Germany, September 16, 2000–January 21, 2001 (as Roy Lichtenstein: Spiegelbilder, 1963–1997) (Waldman 2000a).
Milwaukee Art Museum, Milwaukee, Extended Loan, April 2002–October 2006. (ed. 3/3).
Gagosian Gallery (555 West 24th Street), New York, Roy Lichtenstein: Still Lifes, May 8–July 30, 2010 (ed. 3/3) (Gagosian, New York 2010, n.p. facing p. 114 color ill. [ed 3/3?]).
Literature
Amaya, Mario (Photographs by Horst). "Architectural Digest Visits: Roy Lichtenstein." Architectural Digest 35, no. 6 (July–August 1978), n.p. facing p. 82 color ill. (with artist in studio) (ed. unknown).
Lichtenstein, Roy, and Ernst A. Busche. "Interview mit Roy Lichtenstein." Translated from the English by Ernst A. Busche. Das Kunstwerk 31, no. 1 (February 1978), p. 23 b/w ill. (ed. unknown).
Gagosian Gallery, New York. Lichtenstein Remembered. New York: Gagosian Gallery, 2023. Exhibition catalogue (2023a New York Gagosian), p. 29 color ill. (with artist in studio), [not exhibited] (ed. unknown).
Other Works
Pitcher with Grapefruit and Lemon (Model)
c. 1976
Dimensions unknown
related

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