Painted aluminum, steel
<span class="gray">Element A:</span> 372 x 36 x 11 in. (944.9 x 91.4 x 27.9 cm)<div class="div_addlDim"><span class="gray">Element B:</span> 98 x 357 x 10 1/4 in. (248.9 x 906.8 x 26 cm)</div><div class="div_addlDim"><span class="gray">Element C:</span> 104 x 271 x 12 in. (264.2 x 688.3 x 30.5 cm)</div><div class="div_addlDim"><span class="gray">Element D:</span> 228 x 100 x 11 in. (579.1 x 254 x 27.9 cm)</div><div class="div_addlDim"><span class="gray">Element E:</span> 480 x 77 x 11 in. (1219.2 x 195.6 x 27.9 cm)</div>
Posthumous ed. 1/1 marked with artist's name, dated, numbered and marked with copyright notice with year of fabrication. Posthumous AP marked with artist's name, dated, marked AP and marked with copyright notice with year of fabrication.
Classification: sculpture (editioned)

Sculpture (Editioned)

Catalogue entries for editioned sculpture provide conception and fabrication dates, dimensions, and transcriptions of inscriptions with brief summaries highlighting inconsistencies within editions.

All fabricators involved with an edition are documented, including their location at the time of fabrication and, when available, key workshop staff. Publishers and commissioners involved in the production and distribution of a sculpture are also listed. 

Remarks address conflicting information, historical cataloguing errors or other unclear details.

Primary Images usually illustrate an individual work in an edition, often with multiple images taken from various angles. Research Images document inscriptions or other details of interest.

The sub-classification sculpture (editioned) (wall) groups together editions of sculptures meant to be displayed mounted to a wall.

The primary sources consulted researching editioned sculptures were mainly the rich materials in the RLF Archives, such as studio correspondence, fabricator agreements and invoices, publisher’s royalty reports, shipping receipts, business logs and loan forms. In addition, frequent conversations were held with former fabricator staff and studio assistants. James dePasquale, Lichtenstein's assistant since the early 1970s, was primarily responsible for painting the artist's smaller sculptures after they were delivered by the fabricator to the artist’s studio. He served as an invaluable source for questions about media details and process.

Dates

Conception date is based on the year of completion of the collage or prototype used for an edition's fabrication. Fabrication date(s) follow the conception date in parentheses and are based on the year(s) in which individual works in an edition were delivered by the fabricator to the artist’s studio to be painted, usually shortly after delivery.

Dimensions

Dimensions reflect fabricators' dimensions recorded in official paperwork or documented in studio files maintained by the artist or his estate whenever available; otherwise, they stem from Castelli records, RL Studio Cards or the catalogue team's research.

Edition Numbers

When edition numbers for individual casts could not be confirmed, the edition number is given as "unkn" to mean unknown. The works may or may not correspond to other works in the same edition with incomplete provenance.

Inscriptions

Each edition entry gives a summary of the known inscriptions on all pieces. Separately, inscriptions on each piece are transcribed. Despite extensive research efforts, physical examination or documentation of inscriptions was not always possible, which is indicated by “[no information]”. When information was collected from an external source (often an auction house), inscriptions are given verbatim with a citation.

Provenance

Provenance histories are only provided for editions of 3, 6, 8, and 12, not for larger editions (see below, Large Editions).

Posthumous Casts

In accordance with Lichtenstein's intentions or unrealized plans left at the time of his passing, the Estate of the artist, after consultation with the Roy Lichtenstein Foundation, produced a select group of monumental and smaller casts. They are described as such in their catalogue entries.

In all cases, production was based on extended research and documentation with historical indications. The same fabricators were used for the posthumous casts as for the lifetime casts, with oversight provided by the artist's assistant James dePasquale, reflecting a standard studio practice. Often, the casts were made with higher quality materials and improved engineering, paint systems, etc., due to a less restrictive budget.

Posthumous casts, which do not reflect or expand lifetime editions are not included in the catalogue. For further information see: Projects of the ERL.

Large Editions

Large editions of more than twelve sculptures are presented in a single entry without documentation of all individual pieces, as only select pieces were examined. Location information is not provided unless a work is known to be in a museum collection. Information is based on fabricator papers (RLF Archives) and the authors’ research.

Read more: Guide to the Catalogue
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Catalogue entry

Artwork: Five Brushstrokes, 1984 (posthumous ed. 1/1 and AP fabricated 2012) (RLCR 3298) Photo: Courtesy Indianapolis Museum of Art RLCR 3298.AP at Indianapolis Museum of Art in 2014
RLCR 3298.AP at Indianapolis Museum of Art in 2014
Artwork: Five Brushstrokes, 1984 (posthumous ed. 1/1 and AP fabricated 2012) (RLCR 3298) Photo: Courtesy Indianapolis Museum of Art RLCR 3298.AP at Indianapolis Museum of Art in 2014
Artwork: Five Brushstrokes, 1984 (posthumous ed. 1/1 and AP fabricated 2012) (RLCR 3298) Photo: Courtesy Indianapolis Museum of Art RLCR 3298.AP at Indianapolis Museum of Art in 2014
RLCR 3298 (LC 1255; RL 0693)
Status: Research Pending
Five Brushstrokes
1984 (posthumous ed. 1/1 and AP fabricated 2012)
Title Source
Castelli
Media
Painted aluminum, steel
Dimensions
Element A: 372 x 36 x 11 in. (944.9 x 91.4 x 27.9 cm)
Element B: 98 x 357 x 10 1/4 in. (248.9 x 906.8 x 26 cm)
Element C: 104 x 271 x 12 in. (264.2 x 688.3 x 30.5 cm)
Element D: 228 x 100 x 11 in. (579.1 x 254 x 27.9 cm)
Element E: 480 x 77 x 11 in. (1219.2 x 195.6 x 27.9 cm)
Description
Edition of 1; 1 AP
Fabricator: Amaral Custom Fabrications, Inc., Seekonk, Mass.
Inscriptions
Posthumous ed. 1/1 marked with artist's name, dated, numbered and marked with copyright notice with year of fabrication. Posthumous AP marked with artist's name, dated, marked AP and marked with copyright notice with year of fabrication.
RLCR 3298.AP (LC 1255)
rf Lichtenstein '83-'84 AP / © Roy Lichtenstein Foundation 2012
RLCR 3298.1/1
rf Lichtenstein '83-'84 1/1 / © Roy Lichtenstein Foundation 2012
Remarks

In 1983 Roy Lichtenstein was offered a possible commission for the newly founded La Jolla campus sculpture gardens of the Stuart Collection at the University of California, San Diego. The artist created a group of small-scale wood maquettes for an ambitious scheme of five large, varied brushstroke elements intended for a sloped and treed landscape near the student center. Funding for fabrication and installation of such a large project became a problem, however, and the commission never went forward until the project was reinitiated in 2012 by the Roy Lichtenstein Foundation. 

Both casts are marked with the years the preparatory collages and maquettes were completed. This record's conception date is given as 1984, the year the maquettes were completed. 

Keyword
Commission
Photo: Courtesy Indianapolis Museum of Art (Primary Image 1)
Related Works
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Provenance
RLCR 3298.AP (LC 1255)
The Roy Lichtenstein Foundation Collection
RLCR 3298.1/1
The Roy Lichtenstein Foundation Collection
Rancho LB Private Collection, Mexico, March 2020 (via Castelli Gallery, New York City; via Lévy Gorvy, New York City)
Other Works
Five Brushstrokes: Element E (Tweed Courthouse Version)
Fabricated 2003
655 3/4 x 171 x 72 in. (1665.6 x 434.3 cm)
related

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