Glazed high-fired ceramic
15 x 8 1/4 x 8 in. (38.1 x 21 x 20.3 cm)
Dated and signed inside: '65/ rf Lichtenstein
Classification: ceramic (unique)

Ceramic

In this catalogue, works classified as ceramic are made of clay and fired to form a solid, vitrified material.

Ceramic (unique)   

In the mid-1960s, Lichtenstein worked with fellow Douglass College professor and ceramic artist Ka Kwong Hui on his unique ceramic sculptures of female busts and dishware. He turned to Hui after failed experiments glazing the busts with an unknown Brooklyn potter. Hui helped complete the busts and worked closely with Lichtenstein on his dishware sculptures. They cast the dish forms from molds purchased from Stewart Clay Company and Holland Mold Company, New York, as well as from proprietary molds, and together devised new ways of applying glaze dot patterns (Glenn, C. 1977b). 

Other unique ceramics include prototypes for dishware produced by Durable Dish Co. and Rosenthal GmbH (see below) and two hand-decorated plates for a benefit event. 

For a selection of ceramics abandoned by the artist before completion, see Various Other Works.

Ceramic (editioned)

Lichtenstein’s designs for dishware and one “mobile” are presented without documentation of all individual works in the edition, as only select pieces were examined. Location information is not provided unless a work is known to be in a museum collection. Information is usually based on fabricator papers (RLF Archives) and the authors’ research.

Conception date is based on the year a prototype, prepared by the fabricator for the artist’s approval, was completed. Publication date follows the conception date in parentheses. 

Ceramic (trials)

Works classified as ceramic (trials) are test pieces for editions produced by the fabricator. 

Media Lines

Media lines indicate if pieces were glazed or painted and whether the work is earthenware, high-fired ceramic (i.e., either stoneware or porcelain), or porcelain when known from documentation.
Excluded are methods of shaping the clay and applying glaze. Most pieces were cast in molds.  

Dimensions

For plates and shallow bowls, only diameter is given. For all other works, dimensions are given in order: height x width x depth. In some cases only height was known; the dimension is preceded by "H." 

See 10. DIMENSIONS.

Read more: Guide to the Catalogue
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Catalogue entry

Artwork: Head with Blue Shadow, 1965 (RLCR 1080) Photo: Kevin Todora, Nasher Sculpture Center
Artwork: Head with Blue Shadow, 1965 (RLCR 1080) Photo: Kevin Todora, Nasher Sculpture Center
Artwork: Head with Blue Shadow, 1965 (RLCR 1080) Photo: Kevin Todora, Nasher Sculpture Center
Artwork: Head with Blue Shadow, 1965 (RLCR 1080) Photo: Kevin Todora, Nasher Sculpture Center
Artwork: Head with Blue Shadow, 1965 (RLCR 1080) Photo: Kevin Todora, Nasher Sculpture Center
Artwork: Head with Blue Shadow, 1965 (RLCR 1080) Photo: Kevin Todora, Nasher Sculpture Center
Artwork: Head with Blue Shadow, 1965 (RLCR 1080) Photo: Kevin Todora, Nasher Sculpture Center
RLCR 1080 (LC 372; RL 0356)
Head with Blue Shadow
1965
Title Source
Castelli; RL Studio Card
Media
Glazed high-fired ceramic
Dimensions
15 x 8 1/4 x 8 in. (38.1 x 21 x 20.3 cm)
Inscriptions
Dated and signed inside: '65/ rf Lichtenstein
Remarks

Fabricated by Ka Kwong Hui and anonymous. 

Per Glenn, C. 1977b, Lichtenstein worked with an unknown Brooklyn potter to cast ceramic heads from one of two plaster models he bought in the hat district and reworked with modeling clay. He took the bisque heads to ceramic artist and Douglass College colleague, Hui, for glazing. In working together, Lichtenstein developed a new stenciling method with perforated masking tape.   

The other plaster head purchased by Lichtenstein, RLCR 872, Head of Girl, was not remodeled, only painted.

Studio
36 West 26th Street, New York
Keyword
Cartoons
Photo: Kevin Todora, Nasher Sculpture Center (all Primary Images)
Research Images
Head with Blue Shadow, 1965 (RLCR 1080). Detail with date and signature
Detail with date and signature
Photo: Nasher Sculpture Center
Head with Blue Shadow, 1965 (RLCR 1080). Detail
Detail
Related Works
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Provenance
Mr. and Mrs. Robert C. Scull, New York, November 1965 (via Leo Castelli Gallery, New York City)
Ileana and Michael Sonnabend, Paris, late 1960s
Mr. and Mrs. Burton Tremaine, Meriden, Conn., December 1970 (in exchange for RLCR 1081, Head with Red Shadow)
Exhibitions
Leo Castelli Gallery (4 East 77th Street), New York, Roy Lichtenstein: Brushstrokes and Ceramics, November 20–December 11, 1965.
Solomon R. Guggenheim Museum, New York, Roy Lichtenstein, September 19–November 9, 1969 (only New York) (Waldman 1969). Traveled to: William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Mo., December 18, 1969–January 16, 1970; Museum of Contemporary Art, Chicago, Ill., February 7–March 22, 1970; Seattle Art Museum, Seattle, Wash., April 10–May 17, 1970; Columbus Gallery of Fine Arts, Columbus, Ohio, July 9–August 30, 1970.
Wadsworth Atheneum, Hartford, Connecticut, The Tremaine Collection: 20th Century Masters, The Spirit of Modernism, February 26–April 29, 1984 (Wadsworth 1984, p. 100 b/w ill.).
Larry Gagosian Gallery (521 West 23rd Street), New York, Pop Art from the Tremaine Collection, October 4–November 16, 1985.
Dallas Museum of Art, Dallas, A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection, April 5–May 31, 1987 (only Dallas) (Nash 1987, no. 43 p. 103 color ill.). Traveled to: National Gallery of Art, Washington, D.C., June 28, 1987–January 3, 1988; Museo Nacional Centro de Arte Reina Sofía, Madrid, April 6–June 5, 1988 (Nash 1988, no. 49 p. 103 color ill.); Forte Belvedere, Florence, Italy, July 8–October 16, 1988 (Nash 1988, no. 49 p. 103 color ill.); Tel Aviv Museum of Art, Tel Aviv, Israel, January 1–March 31, 1989 (Nash 1988, no. 49 p. 103 color ill.).
Solomon R. Guggenheim Museum, New York, Roy Lichtenstein: A Retrospective, October 7, 1993–January 16, 1994 (only New York) (Waldman 1993b, no. 246 n.p. color ill.). Traveled to: Museum of Contemporary Art, Los Angeles, Calif., January 26–April 3, 1994; Musée des Beaux-Arts de Montréal, Montreal, May 26–September 5, 1994; Haus der Kunst, Munich, October 13, 1994–January 9, 1995 (included early works) (Waldman 1994, no. 246 n.p. color ill.); Deichtorhallen, Hamburg, Germany, February 8–April 30, 1995 (included early works) (Waldman 1994, no. 246 n.p. color ill.); Palais des Beaux-Arts, Brussels, June 2–September 3, 1995 (included early works) (Waldman 1994, no. 246 n.p. color ill.); Wexner Center for the Arts, Ohio State University, Columbus, Ohio, September 21, 1995–January 7, 1996 (abridged version) (Waldman 1994, no. 246 n.p. color ill.).
National Gallery of Art, Washington, D.C., The Prints of Roy Lichtenstein, October 30, 1994–January 8, 1995 (only Dallas; not in cat.) (Corlett 1994). Traveled to: Los Angeles County Museum of Art, Los Angeles, Calif., February 16–April 30, 1995; Dallas Museum of Art, Dallas, Tex., May 28–August 6, 1995; Parrish Art Museum, Southampton, N.Y., September 10–November 26, 1995 (Parrish Art Museum 1995).
Menil Collection, Houston, Pop Art: US/UK Connections, 1956–1966, January 26–May 13, 2001 (Menil 2001, no. 47 p. 205 color ill.).
Gagosian Gallery (6–24 Britannia Street), London, Roy Lichtenstein: Sculpture, June 6–August 6, 2005 (Foster, H. 2005, n.p. following front flyleaf b/w ill. [detail with artist], p. 25 color ill.). Traveled to: Gagosian Gallery (555 West 24th Street), New York, N.Y., September 16–October 22, 2005.
Art Institute of Chicago, Chicago, Roy Lichtenstein: A Retrospective, May 16–September 3, 2012 (not Paris) (Rondeau and Wagstaff, Sheena 2012, no. 42 n.p. color ill.). Traveled to: National Gallery of Art, Washington, D.C., October 14, 2012–January 13, 2013; Tate Modern, London, February 21–May 27, 2013 (as Lichtenstein: A Retrospective) (Dunne 2012); Musée National d'Art Moderne, Centre National d'Art et de Culture Georges Pompidou, Paris, July 3–November 4, 2013 (as Roy Lichtenstein, revised and reorganized) (Dunne 2013); (Pompidou 2013); (Morineau 2013a).
Nasher Sculpture Center, Dallas, Nairy Baghramian: Modèle vivant, October 15, 2022–January 8, 2023.
Literature
Tono, Yoshiaki, ed. Art Now. Vol. 4, The Pop Image of Man. Tokyo: Kodansha Ltd., 1971, p. 24 color ill.
Waldman, Diane. Roy Lichtenstein. New York: Harry N. Abrams, 1971, no. 129 n.p. b/w ill.
Lucie-Smith, Edward. Art Today: From Abstract Expressionism to Superrealism. Oxford, England: Phaidon Press, 1977, no. 164 p. 210 color ill.
Glenn, Constance W. Roy Lichtenstein: Ceramic Sculpture. Long Beach: California State University, Long Beach, 1977. Exhibition catalogue (1977 Long Beach CSU), no. 3 n.p. color ill. [not exhibited].
Chatfield-Taylor, Joan. "The Collectors: A Passion for Sculpture." Architectural Digest 44, no. 10 (October 1987), n.p. facing p. 119 color ill. (in collectors' home).
Mahsun, Carol A., ed. Pop Art: The Critical Dialogue. Studies in the Fine Arts. Ann Arbor: UMI Research Press, 1989, p. 189 b/w ill.
Instituto Nacional de Bellas Artes, Mexico City. Roy Lichtenstein. Mexico City: Instituto Nacional de Bellas Artes and Landucci Editores, 1998. Exhibition catalogue (1998 Mexico City Museo del Palacio), p. 29 color ill., p. 70 color ill. [not exhibited].
Corcoran Gallery of Art, Washington, D.C. Lichtenstein: Sculpture and Drawings. Washington, D.C.: Corcoran Gallery of Art, 1999. Exhibition catalogue (1998 Mexico City Museo del Palacio), p. 47 color ill., p. 71 color ill. [not exhibited].
Instituto Nacional de Bellas Artes, Mexico City. Roy Lichtenstein. Imágenes Reconocibles. Mexico City: Instituto Nacional de Bellas Artes and Landucci Editores, 1999. Exhibition catalogue (1998 Mexico City Museo del Palacio), p. 29 color ill., p. 70 color ill. [not exhibited].
Instituto Nacional de Bellas Artes, Mexico City. Roy Lichtenstein: Imagens reconhecíveis. Translated from the Spanish by Helena Cardoso. Mexico City: Instituto Nacional de Bellas Artes and Landucci Editores, 2000. Exhibition catalogue (1998 Mexico City Museo del Palacio), p. 29 color ill., p. 70 color ill. [not exhibited].
Cohen, David. "Gallery Going: The Anti-Artist of Pop Art." New York Sun, October 6, 2005, p. 1 color ill.
Bader, Graham, ed. Roy Lichtenstein. October Files 7. Cambridge, Mass.: MIT Press, 2009, p. 146 b/w ill.
Bader, Graham. Hall of Mirrors: Roy Lichtenstein and the Face of Painting in the 1960s. Cambridge, Mass.: MIT Press, 2010, no. 4.10 p. 158 b/w ill.
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), no. 7 n.p. color ill. [not exhibited].
Celant, Germano. Roy Lichtenstein Sculptor. Milan: Skira Editore for Fondazione Emilio e Annabianca Vedova, 2013. Exhibition catalogue (2013 Venice Vedova), no. 7 n.p. color ill. [not exhibited].
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